"He has been repeatedly cautioned, kindly and unkindly, intelligently and unintelligently, against his alleged tendency to confuse recognized standards of morality by extenuating lives of recklessness, and often criminality, with a single solitary virtue. He might easily show that he has never written a sermon, that he has never moralized or commented upon the actions of his heroes, that he has never voiced a creed or obtrusively demonstrated an ethical opinion. He might easily allege that this merciful effect of his art arose from the reader’s weak human sympathies, and hold himself irresponsible. But he would be conscious of a more miserable weakness in thus divorcing himself from his fellow-men who in the domain of art must ever walk hand in hand with him. So he prefers to say that, of all the various forms in which Cant presents itself to suffering humanity, he knows of none so outrageous, so illogical, so undemonstrable, so marvelously absurd, as the Cant of “Too Much Mercy.” When it shall be proven to him that communities are degraded and brought to guilt and crime, suffering or destitution, from a predominance of this quality; when he shall see pardoned ticket-of-leave men elbowing men of austere lives out of situation and position, and the repentant Magdalen supplanting the blameless virgin in society,—then he will lay aside his pen and extend his hand to the new Draconian discipline in fiction. But until then he will, without claiming to be a religious man or a moralist, but simply as an artist, reverently and humbly conform to the rules laid down by a Great Poet who created the parable of the “Prodigal Son” and the “Good Samaritan,” whose works have lasted eighteen hundred years, and will remain when the present writer and his generation are forgotten. And he is conscious of uttering no original doctrine in this, but of only voicing the beliefs of a few of his literary brethren happily living, and one gloriously dead, who never made proclamation of this 'from the housetops.'" -From the Introduction
CONTENTS:
PUBLISHERS’ NOTE
GENERAL INTRODUCTION
THE LUCK OF ROARING CAMP
THE OUTCASTS OF POKER FLAT
MIGGLES
TENNESSEE’S PARTNER
THE IDYL OF BED GULCH
BROWN OF CALAVERAS
MUCK-A-MUCK
SELINA SEDILIA
THE NINETY-NINE GUARDSMEN
MISS MIX
MR. MIDSHIPMAN BEEEZY
GUY HEAVYSTONE; OR, “ENTIRE"
JOHN JENKINS
FANTINE
"LA FEMME"
THE DWELLER OF THE THRESHOLD
N N.
NO TITLE
HANDSOME IS AS HANDSOME DOES
LOTHAW
THE HAUNTED MAN
TERENCE DENVILLE
MARY McGILLUP
THE HOODLUM BAND
M’LISS
HIGH-WATER MARK
A LONELY RIDE
THE MAN OF NO ACCOUNT
NOTES BY FLOOD AND FIELD
WAITING FOR THE SHIP
A NIGHT AT WINGDAM
THE LEGEND OF MONTE DEL DIABLO
THE RIGHT EYE OF THE COMMANDER
THE LEGEND OF DEVIL’S POINT
THE ADVENTURE OF PADRE VICENTIO
THE DEVIL AND THE BROKER
THE OGRESS OF SILVER LAND
THE CHRISTMAS GIFT THAT CAME TO RUPERT
"synopsis" may belong to another edition of this title.
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Paperback. Condition: Brand New. 530 pages. 9.00x6.00x1.20 inches. This item is printed on demand. Seller Inventory # zk1979879605
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