Medieval miscellanies are ubiquitous in modern manuscript collections. They easily form the single largest group of medieval manuscripts and include texts in all medieval languages. It is especially in the Late Middle Ages when--due to the use of paper rather than more expensive parchment, the move of the professional book production from the monasteries to the cities, the emancipation of the vernacular languages and the growing scholarization and literacy--that the number of personal miscellaneous manuscripts substantially grows. These manuscripts often reflect individuality and particular interests of their compilers and thus they offer a unique insight into medieval mind. Yet until recently late medieval miscellanies have not garnered much scholarly interest in their own right and have been merely studied from the textual and philological point of view of literary historians. Moreover, in spite of the clear reevaluation of the importance of miscellanies in European scholarship, the specific issue of the birth and the specific function of personal miscellanies is still a desideratum. The contributors to the volume have taken on this challenge and address in their contribution specific issues connected to the study of medieval miscellanies: the problem of authorship, non-autonomy, composition, reception and use, as well as more particular issues such as multilingualism and transmission of texts and text clusters.
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Paperback. Condition: new. Paperback. Miscellanies may easily make up the single largest group of medieval manuscripts. It was especially in the Late Middle Ages that the number of such multi-textual manuscripts, often compiled by lay and religious individuals for personal or communal use, grew substantially. In spite of their seminal relevance for the reconstruction of medieval culture, such manuscripts have not until recently garnered much scholarly interest. The present volume pinpoints the societal and cultural relevance of 14th- and 15th-century miscellanies as well as their role in the understanding of textual creation, transformation and complexity, in both late medieval and early modern societies. The contributions scrutinise, on the one side, text corpora and textual traditions that had a seminal impact on late medieval European culture: the texts of Geoffrey Chaucer and Reginald Pecock, the manuscripts of Dante's Commedia, late medieval Italian and Latin poetic anthologies, but also miscellanies from the Council of Basel and multi-textual manuscripts containing anti-Hussite texts. On the other side, the volume takes into account individual scribes/compilers and collections: from remarkable cases such as Pico della Mirandola and Leonardo da Vinci, to personal collections made up by lesser-known but not less significant compilers and users. Under a strong pan-European umbrella, the volume embarks on specific problems, among which authorship, non-autonomy, composition, reception and use, along with more general issues such as multilingualism or the relationship between image and text. Though ubiquitous and complex, miscellanies blend the diverse cultural, economic and social tendencies of their prosumers, thus proving to be tokens of the appropriation of medieval knowledge and providing snapshots of a dynamic textual culture. This volume pinpoints the societal and cultural relevance of 14th- and 15th-century miscellanies as well as their role in the understanding of textual creation, transformation and complexity, in both late medieval and early modern societies. The contributions scrutinize text corpora and textual traditions that had a seminal impact on Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9782503569703
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Paperback. Condition: new. Paperback. Miscellanies may easily make up the single largest group of medieval manuscripts. It was especially in the Late Middle Ages that the number of such multi-textual manuscripts, often compiled by lay and religious individuals for personal or communal use, grew substantially. In spite of their seminal relevance for the reconstruction of medieval culture, such manuscripts have not until recently garnered much scholarly interest. The present volume pinpoints the societal and cultural relevance of 14th- and 15th-century miscellanies as well as their role in the understanding of textual creation, transformation and complexity, in both late medieval and early modern societies. The contributions scrutinise, on the one side, text corpora and textual traditions that had a seminal impact on late medieval European culture: the texts of Geoffrey Chaucer and Reginald Pecock, the manuscripts of Dante's Commedia, late medieval Italian and Latin poetic anthologies, but also miscellanies from the Council of Basel and multi-textual manuscripts containing anti-Hussite texts. On the other side, the volume takes into account individual scribes/compilers and collections: from remarkable cases such as Pico della Mirandola and Leonardo da Vinci, to personal collections made up by lesser-known but not less significant compilers and users. Under a strong pan-European umbrella, the volume embarks on specific problems, among which authorship, non-autonomy, composition, reception and use, along with more general issues such as multilingualism or the relationship between image and text. Though ubiquitous and complex, miscellanies blend the diverse cultural, economic and social tendencies of their prosumers, thus proving to be tokens of the appropriation of medieval knowledge and providing snapshots of a dynamic textual culture. This volume pinpoints the societal and cultural relevance of 14th- and 15th-century miscellanies as well as their role in the understanding of textual creation, transformation and complexity, in both late medieval and early modern societies. The contributions scrutinize text corpora and textual traditions that had a seminal impact on Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9782503569703
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