The camera’s romance with the car: a love story to the automobile in photography
The ultimate gift for car enthusiasts and photography lovers alike.
Autophoto is a stunning visual journey that celebrates the deep, decades-long connection between the automobile and the art of photography. Perfect for coffee tables, collectors, and anyone fascinated by the beauty of cars, this lavish book showcases how the car has transformed not only our roads but the way we see the world.
Featuring over 500 photographs by 100 iconic photographers—including legends like Robert Frank, Walker Evans, William Eggleston, and Daido Moriyama—this book captures everything from gleaming chrome curves to dusty highways, neon-lit gas stations to sleek modern design.
Whether it’s a reflection in a rearview mirror or the sweeping geometry of a freeway, these images reveal the car as a symbol of freedom, identity, and style. Autophoto also includes exclusive projects like French artist Alain Bublex’s reimagined car models, in-depth essays, and behind-the-scenes commentary from artists and scholars.
Beautifully designed and intellectually rich, Autophoto is more than a photography book—it’s a tribute to the culture, design, and dream of the automobile.
An unforgettable gift for car lovers, design buffs, and art book collectors.
"synopsis" may belong to another edition of this title.
This is the catalogue from a nearly impossibly ambitious exhibition of international photography about people and cars. Big and heavy like a school textbook, the catalogue ends up hitting most of the marks, and is a massive, thoughtful, and even, somehow, modest encyclopedia of the genre. (Center for Land Use Interpretation)
[Autophoto] makes it easy to understand why photographers’ romance with the car may be as strong as ever. (Eric Nagourney The New York Times: Lens Blog)
The stunning car photographs that capture the 20th century.... not only tells the shifting story of society’s attitudes towards motorcars, but also provides an overview of important developments within the century’s photography itself. (Alastair Sooke Financial Times)
Capturing the geometric design of roadways, the reflections in a rear-view mirror or our special relationship with this object of desire, these photographers invite us to look at the world of the automobile in a new way. (David Hurren DriveTribe)
This new presentation revisits photography’s relationship to the automobile; how the car provided photographers with a new subject, a new point of view and new way of exploring the world... how the automobile has reshaped our landscape, extended our geographic horizons and altered our, and notably artists’, concept of space and time. (Aesthetica Magazine)
What may be the most ambitious exhibit of car-focused photography ever ... flat-out beautiful images. (Bill Shapiro Popular Mechanics)
Cars and cameras grew up together as siblings.... A comfortable comparison can be made with having a photo in focus and having a car in the correct gear.... A lot of that has to do with taking the machine in your hands seriously―much like taking the car that you’re sitting in seriously. (Florence Walker Petrolicious)
Works range from an Eve Arnold’s iconic 1961 images of Marilyn Monroe on the set of The Misfits... to the work of photographers who have made the subject matter their own, like William Eggleston, Lee Friedlander, and Robert Frank. [T]he diversity of images included is a testament to the ingenuity of photography and the various permutations that it can achieve.... many subtle threads that can be picked up on, giving plenty to satisfy the curious and knowledgeable.... One of these threads is changing the collective cultural memory of the car. (Sarah Hyde Artnet)
Fasten your seatbelts... (De Bellaigue Ad Magazine)
By the end of the 19th century, the camera and the car had helped pave the way for a new, more modern perspective – images by freezing time, from multiple perspectives, and automobiles by speeding things up (Susanna D'Aliesio British Journal of Photography)
"About this title" may belong to another edition of this title.
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. Seller Inventory # M2869251319Z3
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. Seller Inventory # M2869251319Z4
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. A blue hardcover with an illustration pasted into a relief on the front cover. The title is debossed in silver on the front cover and down the spine. A list of artists on the back is also in silver debossed text. The end pages are a heavy black paper. Pages: (7), 8-463, (1). The book is filled with both color and black and white photographs. English edition. Published to accompany an exhibition held at Fondation Cartier pour l'art contemporain, Paris, 20th Apr.-24th Sept., 2017. VG+: A few stray marks on the side and bottom text blocks. Faint pencil mark on the front free end page. Otherwise, a book in excellent condition. Looks like it was rarely, if ever, taken off the shelf. Seller Inventory # 201830
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New. Seller Inventory # 29133808-n
Seller: Lakeside Books, Benton Harbor, MI, U.S.A.
Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books! Seller Inventory # OTF-S-9782869251311
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition. Seller Inventory # 29133808
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condition: new. Hardcover. An exploration of photography's longstanding and generative relationship to the automobile. Since its invention, the automobile has reshaped our landscape, extended our geographic horizons and radically altered our conception of space and time, influencing the practice of photographers worldwide. This book shows how the car provided photographers with new subject matter and a new way of exploring the world. It brings together 500 works made by 100 historical and contemporary artists from around the world. Capturing formal qualities such as the geometric design of roadways or reflections in a rear-view mirror, these photographers invite us to look at the world of the automobile in a new way. Auto-Photo also includes other projects such as a series of car models that cast a fresh eye on the history of automobile design, created specifically for the Fondation Cartier show by French artist Alain Bublex, plus a comparative history of automobile design and photography, essays by scholars and quotes by participating artists. Featuring the works of both historical and contemporary figures such as Jacques- Henri Lartigue, Man Ray, Lee Friedlander and Jacqueline Hassink, the exhibition will show how photographers have continuously documented the impact of automobility on our landscape and lifestyle, and how in turn the automobile has reshaped the practice of photographers, providing them with a new subject, a new means of expression and a new way of seeing the world. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9782869251311
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # CW-9782869251311
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Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Seller: Ria Christie Collections, Uxbridge, United Kingdom
Condition: New. In. Seller Inventory # ria9782869251311_new
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