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An Anarchitectural Body of Work: Suzanne Harris and the Downtown New York Artists’ Community in the 1970s - Softcover
Synopsis
The artist, dancer and educator Suzanne Harris (1940-79) was a protagonist of the downtown New York City artists’ community in the 1970s. With her boundary-transgressing practice, she played a decisive part in avant-garde projects, such as the Anarchitecture group, 112 Greene Street, FOOD, and the Natural History of the American Dancer. Harris furthermore participated in the Heresies editorial collective. Nevertheless, her own oeuvre fell into abeyance.
Friederike Schäfer reconstructs Harris’s dispersed, postminimalist body of work, which broke the mold of art categories, art practices, art spaces, and the common notion of space. The author draws on post-Marxist feminist theory to trace how Harris transcended both sculpture and dance to create site-specific, ephemeral installations.
Recipient of the Terra Foundation for American Art International Publication Grant 2021
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About the Authors
Friederike Schäfer, Kunsthistorikerin, Freie Universität Berlin
Friederike Schäfer, art historian, Freie Universität Berlin
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Anarchitectural Body of Work : Suzanne Harris and the Downtown New York Artists Community in the 1970s
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An Anarchitectural Body of Work
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Paperback. Condition: New. Die Künstlerin, Tänzerin und Pädagogin Suzanne Harris (1940-1979) war in den 1970er-Jahren eine Hauptfigur der Künstlergemeinschaft von New York. Mit ihrem grenzüberschreitenden Schaffen spielte sie eine wesentliche Rolle bei Avantgardeprojekten, wie der Gruppe Anarchitecture, 112 Greene Street, FOOD und Natural History of the American Dancer. Harris war Teil des Herausgeberkollektivs Heresis. Dennoch sind ihre eigenen Arbeiten in Vergessenheit geraten. Friederike Schäfer rekonstruiert Harris' verstreuten, postminimalistischen Werkkörper, der die Grenzen von Kunstkategorien, künstlerischer Praxis, Kunsträumen und der gültigen Vorstellung von Raum sprengte. Die Autorin knüpft dabei an postmarxistische feministische Theorien an, um nachzuvollziehen, wie Harris Skulptur und Tanz zu flüchtigen, ortspezifischen Installationen umformte. Ausgezeichnet mit dem Terra Foundation for American Art International Publication Grant 2021 Blick ins Buch. Seller Inventory # LU-9783110738681
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Paperback. Condition: New. Die Künstlerin, Tänzerin und Pädagogin Suzanne Harris (1940-1979) war in den 1970er-Jahren eine Hauptfigur der Künstlergemeinschaft von New York. Mit ihrem grenzüberschreitenden Schaffen spielte sie eine wesentliche Rolle bei Avantgardeprojekten, wie der Gruppe Anarchitecture, 112 Greene Street, FOOD und Natural History of the American Dancer. Harris war Teil des Herausgeberkollektivs Heresis. Dennoch sind ihre eigenen Arbeiten in Vergessenheit geraten. Friederike Schäfer rekonstruiert Harris' verstreuten, postminimalistischen Werkkörper, der die Grenzen von Kunstkategorien, künstlerischer Praxis, Kunsträumen und der gültigen Vorstellung von Raum sprengte. Die Autorin knüpft dabei an postmarxistische feministische Theorien an, um nachzuvollziehen, wie Harris Skulptur und Tanz zu flüchtigen, ortspezifischen Installationen umformte. Ausgezeichnet mit dem Terra Foundation for American Art International Publication Grant 2021 Blick ins Buch. Seller Inventory # LU-9783110738681
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An Anarchitectural Body of Work Suzanne Harris and the Downtown New York Artists' Community in the 1970s
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De Gruyter Art & Architecture, 2022
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An Anarchitectural Body of Work (Paperback)
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Paperback. Condition: new. Paperback. The artist, dancer and educator Suzanne Harris (1940-79) was a protagonist of the downtown New York City artists community in the 1970s. With her boundary-transgressing practice, she played a decisive part in avant-garde projects, such as the Anarchitecture group, 112 Greene Street, FOOD, and the Natural History of the American Dancer. Harris furthermore participated in the Heresies editorial collective. Nevertheless, her own oeuvre fell into abeyance. Friederike Schaefer reconstructs Harriss dispersed, postminimalist body of work, which broke the mold of art categories, art practices, art spaces, and the common notion of space. The author draws on post-Marxist feminist theory to trace how Harris transcended both sculpture and dance to create site-specific, ephemeral installations. Recipient of the Terra Foundation for American Art International Publication Grant 2021 Look Inside Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9783110738681
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