Art At The Margins: The Work of Jennifer Kotter, Ray Materson and Bonnie Peterson

 
9783639173864: Art At The Margins: The Work of Jennifer Kotter, Ray Materson and Bonnie Peterson

This book is a descriptive and historical study of how Jennifer Kotter, Ray Materson and Bonnie Peterson, three late 20th century artists, use their experience, objects from everyday life, and the techniques of ¿women¿s work¿ to create "art at the margins." Levinson defines ¿art at the margins¿ as art that is perceived to be low art, rather than high art, because the artists use ¿women¿s work¿¿techniques stereotyped with domestic activities and craft. Her discussion focuses on how the artwork remains or transcends its status at the margins and moves among diverse categories of art. Interviews with the three artists reveal their life experiences and views on their art. Each artist¿s medium is set in an historical context to show how the medium evolved, how certain perceptions became attached to it, and how the concept of mainstream art changed over time. Included are sections on female stereotypes, embroidery, art quilts, and pluralist art of the 1970s. Levinson¿s in-depth analysis sheds light on the pluralism of art, techniques and materials in the late 20th and early 21st centuries, and should be useful to art critics, art historians, students and cultural studies professionals.

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About the Author:

Drunell Levinson, Ph.D.: Studied Art Education and Folk Art at the NYU Steinhardt School of Culture, Education and Human Development. She is a New York City artist and exhibition specialist who explores artwork using repetitive tasks and techniques associated with ¿women¿s work.¿

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Book Description Book Condition: New. Publisher/Verlag: VDM Verlag Dr. Müller | The Work of Jennifer Kotter, Ray Materson and Bonnie Peterson | This book is a descriptive and historical study ofhow Jennifer Kotter, Ray Materson and BonniePeterson, three late 20th century artists, use theirexperience, objects from everyday life, and thetechniques of women s work to create "art at themargins." Levinson defines art at the margins asart that is perceived to be low art, rather thanhigh art, because the artists use women swork techniques stereotyped with domestic activitiesand craft. Her discussion focuses on how the artworkremains or transcends its status at the margins andmoves among diverse categories of art. Interviewswith the three artists reveal their life experiencesand views on their art. Each artist s medium is setin an historical context to show how the mediumevolved, how certain perceptions became attached toit, and how the concept of mainstream art changedover time. Included are sections on femalestereotypes, embroidery, art quilts, and pluralistart of the 1970s. Levinson s in-depth analysis shedslight on the pluralism of art, techniques andmaterials in the late 20th and early 21st centuries,and should be useful to art critics, art historians,students and cultural studies professionals. | Format: Paperback | Language/Sprache: english | 230 gr | 168 pp. Bookseller Inventory # K9783639173864

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Book Description VDM Verlag Jul 2009, 2009. Taschenbuch. Book Condition: Neu. Neuware - This book is a descriptive and historical study of how Jennifer Kotter, Ray Materson and Bonnie Peterson, three late 20th century artists, use their experience, objects from everyday life, and the techniques of women s work to create 'art at the margins.' Levinson defines art at the margins as art that is perceived to be low art, rather than high art, because the artists use women s work techniques stereotyped with domestic activities and craft. Her discussion focuses on how the artwork remains or transcends its status at the margins and moves among diverse categories of art. Interviews with the three artists reveal their life experiences and views on their art. Each artist s medium is set in an historical context to show how the medium evolved, how certain perceptions became attached to it, and how the concept of mainstream art changed over time. Included are sections on female stereotypes, embroidery, art quilts, and pluralist art of the 1970s. Levinson s in-depth analysis sheds light on the pluralism of art, techniques and materials in the late 20th and early 21st centuries, and should be useful to art critics, art historians, students and cultural studies professionals. 168 pp. Englisch. Bookseller Inventory # 9783639173864

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Book Description VDM Verlag Jul 2009, 2009. Taschenbuch. Book Condition: Neu. Neuware - This book is a descriptive and historical study of how Jennifer Kotter, Ray Materson and Bonnie Peterson, three late 20th century artists, use their experience, objects from everyday life, and the techniques of women s work to create 'art at the margins.' Levinson defines art at the margins as art that is perceived to be low art, rather than high art, because the artists use women s work techniques stereotyped with domestic activities and craft. Her discussion focuses on how the artwork remains or transcends its status at the margins and moves among diverse categories of art. Interviews with the three artists reveal their life experiences and views on their art. Each artist s medium is set in an historical context to show how the medium evolved, how certain perceptions became attached to it, and how the concept of mainstream art changed over time. Included are sections on female stereotypes, embroidery, art quilts, and pluralist art of the 1970s. Levinson s in-depth analysis sheds light on the pluralism of art, techniques and materials in the late 20th and early 21st centuries, and should be useful to art critics, art historians, students and cultural studies professionals. 168 pp. Englisch. Bookseller Inventory # 9783639173864

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