Dead but still/moving: Slides shows, documentary and me

 
9783659574214: Dead but still/moving: Slides shows, documentary and me
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Dead but still/moving... looks at the ‘still/moving’; that is, creative work in a space between still images (photography) and moving pictures (cinema). Recently there has been a wave of interest in the still/moving in installation art and feature films but there has been virtually no written commentary on the still/moving in documentary, and even less on the slide show and documentary. From magic lantern shows to PowerPoint presentations, the slide show has cast a long shadow on documentary film. In the 1880s the New York Police reporter, Jacob Riis, barnstormed America with magic lantern images of urban poverty; and in 2006, An Inconvenient Truth, a documentary woven around Al Gore’s slide show PowerPoint presentation, screened to audiences around the world. Dead but still/moving... looks at how the slide show has haunted documentary and reveals a pre-occupation still/moving films have with time, memory, mortality and death. The focus on the intersection between the slide show and documentary is insightful for thinking about the relationship between cinema, photography, documentary and auto/biography. Dead but still/moving... will appeal to those working in and across these fields

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About the Author:

Andrew Taylor works as lecturer in the Media Arts Program at University of Technology, Sydney (UTS); and is a filmmaker and photographer. His recent projects have involved work that falls between still and moving images (photography and cinema). He is currently working on a series of film-photo-essays for an online platform and broadcast TV.

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Book Description Condition: New. Publisher/Verlag: LAP Lambert Academic Publishing | Slides shows, documentary and me | Dead but still/moving. looks at the 'still/moving'; that is, creative work in a space between still images (photography) and moving pictures (cinema). Recently there has been a wave of interest in the still/moving in installation art and feature films but there has been virtually no written commentary on the still/moving in documentary, and even less on the slide show and documentary. From magic lantern shows to PowerPoint presentations, the slide show has cast a long shadow on documentary film. In the 1880s the New York Police reporter, Jacob Riis, barnstormed America with magic lantern images of urban poverty; and in 2006, An Inconvenient Truth, a documentary woven around Al Gore's slide show PowerPoint presentation, screened to audiences around the world. Dead but still/moving. looks at how the slide show has haunted documentary and reveals a pre-occupation still/moving films have with time, memory, mortality and death. The focus on the intersection between the slide show and documentary is insightful for thinking about the relationship between cinema, photography, documentary and auto/biography. Dead but still/moving. will appeal to those working in and across these fields | Format: Paperback | Language/Sprache: english | 256 pp. Seller Inventory # K9783659574214

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Book Description LAP Lambert Academic Publishing Aug 2014, 2014. Taschenbuch. Condition: Neu. Neuware - Dead but still/moving. looks at the 'still/moving'; that is, creative work in a space between still images (photography) and moving pictures (cinema). Recently there has been a wave of interest in the still/moving in installation art and feature films but there has been virtually no written commentary on the still/moving in documentary, and even less on the slide show and documentary. From magic lantern shows to PowerPoint presentations, the slide show has cast a long shadow on documentary film. In the 1880s the New York Police reporter, Jacob Riis, barnstormed America with magic lantern images of urban poverty; and in 2006, An Inconvenient Truth, a documentary woven around Al Gore's slide show PowerPoint presentation, screened to audiences around the world. Dead but still/moving. looks at how the slide show has haunted documentary and reveals a pre-occupation still/moving films have with time, memory, mortality and death. The focus on the intersection between the slide show and documentary is insightful for thinking about the relationship between cinema, photography, documentary and auto/biography. Dead but still/moving. will appeal to those working in and across these fields 256 pp. Englisch. Seller Inventory # 9783659574214

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Book Description LAP Lambert Academic Publishing Aug 2014, 2014. Taschenbuch. Condition: Neu. Neuware - Dead but still/moving. looks at the 'still/moving'; that is, creative work in a space between still images (photography) and moving pictures (cinema). Recently there has been a wave of interest in the still/moving in installation art and feature films but there has been virtually no written commentary on the still/moving in documentary, and even less on the slide show and documentary. From magic lantern shows to PowerPoint presentations, the slide show has cast a long shadow on documentary film. In the 1880s the New York Police reporter, Jacob Riis, barnstormed America with magic lantern images of urban poverty; and in 2006, An Inconvenient Truth, a documentary woven around Al Gore's slide show PowerPoint presentation, screened to audiences around the world. Dead but still/moving. looks at how the slide show has haunted documentary and reveals a pre-occupation still/moving films have with time, memory, mortality and death. The focus on the intersection between the slide show and documentary is insightful for thinking about the relationship between cinema, photography, documentary and auto/biography. Dead but still/moving. will appeal to those working in and across these fields 256 pp. Englisch. Seller Inventory # 9783659574214

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Book Description LAP Lambert Academic Publishing, United States, 2014. Paperback. Condition: New. Language: English . Brand New Book ***** Print on Demand *****.Dead but still/moving. looks at the still/moving ; that is, creative work in a space between still images (photography) and moving pictures (cinema). Recently there has been a wave of interest in the still/moving in installation art and feature films but there has been virtually no written commentary on the still/moving in documentary, and even less on the slide show and documentary. From magic lantern shows to PowerPoint presentations, the slide show has cast a long shadow on documentary film. In the 1880s the New York Police reporter, Jacob Riis, barnstormed America with magic lantern images of urban poverty; and in 2006, An Inconvenient Truth, a documentary woven around Al Gore s slide show PowerPoint presentation, screened to audiences around the world. Dead but still/moving. looks at how the slide show has haunted documentary and reveals a pre-occupation still/moving films have with time, memory, mortality and death. The focus on the intersection between the slide show and documentary is insightful for thinking about the relationship between cinema, photography, documentary and auto/biography. Dead but still/moving. will appeal to those working in and across these fields. Seller Inventory # AAV9783659574214

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Book Description LAP Lambert Academic Publishing Aug 2014, 2014. Taschenbuch. Condition: Neu. This item is printed on demand - Print on Demand Neuware - Dead but still/moving. looks at the 'still/moving'; that is, creative work in a space between still images (photography) and moving pictures (cinema). Recently there has been a wave of interest in the still/moving in installation art and feature films but there has been virtually no written commentary on the still/moving in documentary, and even less on the slide show and documentary. From magic lantern shows to PowerPoint presentations, the slide show has cast a long shadow on documentary film. In the 1880s the New York Police reporter, Jacob Riis, barnstormed America with magic lantern images of urban poverty; and in 2006, An Inconvenient Truth, a documentary woven around Al Gore's slide show PowerPoint presentation, screened to audiences around the world. Dead but still/moving. looks at how the slide show has haunted documentary and reveals a pre-occupation still/moving films have with time, memory, mortality and death. The focus on the intersection between the slide show and documentary is insightful for thinking about the relationship between cinema, photography, documentary and auto/biography. Dead but still/moving. will appeal to those working in and across these fields 256 pp. Englisch. Seller Inventory # 9783659574214

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Book Description LAP LAMBERT Academic Publishing. Paperback. Condition: New. 256 pages. Dimensions: 8.7in. x 5.9in. x 0.6in.Dead but stillmoving looks at the stillmoving; that is, creative work in a space between still images (photography) and moving pictures (cinema). Recently there has been a wave of interest in the stillmoving in installation art and feature films but there has been virtually no written commentary on the stillmoving in documentary, and even less on the slide show and documentary. From magic lantern shows to PowerPoint presentations, the slide show has cast a long shadow on documentary film. In the 1880s the New York Police reporter, Jacob Riis, barnstormed America with magic lantern images of urban poverty; and in 2006, An Inconvenient Truth, a documentary woven around Al Gores slide show PowerPoint presentation, screened to audiences around the world. Dead but stillmoving looks at how the slide show has haunted documentary and reveals a pre-occupation stillmoving films have with time, memory, mortality and death. The focus on the intersection between the slide show and documentary is insightful for thinking about the relationship between cinema, photography, documentary and autobiography. Dead but stillmoving will appeal to those working in and across these fields This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Seller Inventory # 9783659574214

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