Vietnamese folk poetry rhythm: An acoustic and perceptual study

 
9783659779343: Vietnamese folk poetry rhythm: An acoustic and perceptual study
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This book reports a study on the acoustic realization and the perception of the rhythmic structure of Vietnamese folk poetry. Ten speakers of Sài Gòn dialect recite four folk poems that were made up of three-word, five-word, six-word, seven-word, and eight-word lines. The acoustic analysis showed that the duration (i.e. length of time) and intensity (i.e. loudness) results mirror each other in indicating a strong iambic pattern of prominence, supporting the literature that a line of folk verse with even number of syllables tend to have a series of iambs and when there is an odd number of syllables, the line usually ends with an iamb, not an anapaest (Durand and Nguyễn,1985).The perception results showed that listeners relied on duration cues in judging the rhythmic patterns of the poetic lines while intensity was not used. Also, majority of listeners were not finely tuned to these acoustic cues and only a few listeners could detect them in parsing the poetic lines into detail bi-syllabic iambic units. This book is aimed at linguistic and literary researchers, language teachers, language students and lay people with an interest in linguistics as well as Vietnamese folk poetry.

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About the Author:

Anh-Thư Thị Nguyễn completed her MA in Applied Linguistics 1999, Ph.D in Linguistics 2003 and Post-Doctoral research at the University of Queensland, Australia. She did her BA in TESOL at Can Tho University, Viet Nam 1994. Her research interests include Vietnamese prosody, Second language phonology,Vietnamese L1 attrition and acoustic phonetics.

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Book Description Condition: New. Publisher/Verlag: LAP Lambert Academic Publishing | An acoustic and perceptual study | This book reports a study on the acoustic realization and the perception of the rhythmic structure of Vietnamese folk poetry. Ten speakers of Sài Gòn dialect recite four folk poems that were made up of three-word, five-word, six-word, seven-word, and eight-word lines. The acoustic analysis showed that the duration (i.e. length of time) and intensity (i.e. loudness) results mirror each other in indicating a strong iambic pattern of prominence, supporting the literature that a line of folk verse with even number of syllables tend to have a series of iambs and when there is an odd number of syllables, the line usually ends with an iamb, not an anapaest (Durand and Nguy n,1985).The perception results showed that listeners relied on duration cues in judging the rhythmic patterns of the poetic lines while intensity was not used. Also, majority of listeners were not finely tuned to these acoustic cues and only a few listeners could detect them in parsing the poetic lines into detail bi-syllabic iambic units. This book is aimed at linguistic and literary researchers, language teachers, language students and lay people with an interest in linguistics as well as Vietnamese folk poetry. | Format: Paperback | Language/Sprache: english | 52 pp. Seller Inventory # K9783659779343

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Book Description LAP LAMBERT Academic Publishing. Paperback. Condition: New. 52 pages. Dimensions: 8.7in. x 5.9in. x 0.1in.This book reports a study on the acoustic realization and the perception of the rhythmic structure of Vietnamese folk poetry. Ten speakers of Si Gn dialect recite four folk poems that were made up of three-word, five-word, six-word, seven-word, and eight-word lines. The acoustic analysis showed that the duration (i. e. length of time) and intensity (i. e. loudness) results mirror each other in indicating a strong iambic pattern of prominence, supporting the literature that a line of folk verse with even number of syllables tend to have a series of iambs and when there is an odd number of syllables, the line usually ends with an iamb, not an anapaest (Durand and Nguyn, 1985). The perception results showed that listeners relied on duration cues in judging the rhythmic patterns of the poetic lines while intensity was not used. Also, majority of listeners were not finely tuned to these acoustic cues and only a few listeners could detect them in parsing the poetic lines into detail bi-syllabic iambic units. This book is aimed at linguistic and literary researchers, language teachers, language students and lay people with an interest in linguistics as well as Vietnamese folk poetry. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Seller Inventory # 9783659779343

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Book Description LAP Lambert Academic Publishing, United States, 2015. Paperback. Condition: New. Language: English . Brand New Book ***** Print on Demand *****.This book reports a study on the acoustic realization and the perception of the rhythmic structure of Vietnamese folk poetry. Ten speakers of Sai Gon dialect recite four folk poems that were made up of three-word, five-word, six-word, seven-word, and eight-word lines. The acoustic analysis showed that the duration (i.e. length of time) and intensity (i.e. loudness) results mirror each other in indicating a strong iambic pattern of prominence, supporting the literature that a line of folk verse with even number of syllables tend to have a series of iambs and when there is an odd number of syllables, the line usually ends with an iamb, not an anapaest (Durand and Nguy n,1985).The perception results showed that listeners relied on duration cues in judging the rhythmic patterns of the poetic lines while intensity was not used. Also, majority of listeners were not finely tuned to these acoustic cues and only a few listeners could detect them in parsing the poetic lines into detail bi-syllabic iambic units. This book is aimed at linguistic and literary researchers, language teachers, language students and lay people with an interest in linguistics as well as Vietnamese folk poetry. Seller Inventory # AAV9783659779343

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Book Description LAP Lambert Academic Publishing Okt 2015, 2015. Taschenbuch. Condition: Neu. Neuware - This book reports a study on the acoustic realization and the perception of the rhythmic structure of Vietnamese folk poetry. Ten speakers of Sài Gòn dialect recite four folk poems that were made up of three-word, five-word, six-word, seven-word, and eight-word lines. The acoustic analysis showed that the duration (i.e. length of time) and intensity (i.e. loudness) results mirror each other in indicating a strong iambic pattern of prominence, supporting the literature that a line of folk verse with even number of syllables tend to have a series of iambs and when there is an odd number of syllables, the line usually ends with an iamb, not an anapaest (Durand and Nguy n,1985).The perception results showed that listeners relied on duration cues in judging the rhythmic patterns of the poetic lines while intensity was not used. Also, majority of listeners were not finely tuned to these acoustic cues and only a few listeners could detect them in parsing the poetic lines into detail bi-syllabic iambic units. This book is aimed at linguistic and literary researchers, language teachers, language students and lay people with an interest in linguistics as well as Vietnamese folk poetry. 52 pp. Englisch. Seller Inventory # 9783659779343

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Book Description LAP Lambert Academic Publishing Okt 2015, 2015. Taschenbuch. Condition: Neu. Neuware - This book reports a study on the acoustic realization and the perception of the rhythmic structure of Vietnamese folk poetry. Ten speakers of Sài Gòn dialect recite four folk poems that were made up of three-word, five-word, six-word, seven-word, and eight-word lines. The acoustic analysis showed that the duration (i.e. length of time) and intensity (i.e. loudness) results mirror each other in indicating a strong iambic pattern of prominence, supporting the literature that a line of folk verse with even number of syllables tend to have a series of iambs and when there is an odd number of syllables, the line usually ends with an iamb, not an anapaest (Durand and Nguy n,1985).The perception results showed that listeners relied on duration cues in judging the rhythmic patterns of the poetic lines while intensity was not used. Also, majority of listeners were not finely tuned to these acoustic cues and only a few listeners could detect them in parsing the poetic lines into detail bi-syllabic iambic units. This book is aimed at linguistic and literary researchers, language teachers, language students and lay people with an interest in linguistics as well as Vietnamese folk poetry. 52 pp. Englisch. Seller Inventory # 9783659779343

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Book Description LAP Lambert Academic Publishing Okt 2015, 2015. Taschenbuch. Condition: Neu. This item is printed on demand - Print on Demand Neuware - This book reports a study on the acoustic realization and the perception of the rhythmic structure of Vietnamese folk poetry. Ten speakers of Sài Gòn dialect recite four folk poems that were made up of three-word, five-word, six-word, seven-word, and eight-word lines. The acoustic analysis showed that the duration (i.e. length of time) and intensity (i.e. loudness) results mirror each other in indicating a strong iambic pattern of prominence, supporting the literature that a line of folk verse with even number of syllables tend to have a series of iambs and when there is an odd number of syllables, the line usually ends with an iamb, not an anapaest (Durand and Nguy n,1985).The perception results showed that listeners relied on duration cues in judging the rhythmic patterns of the poetic lines while intensity was not used. Also, majority of listeners were not finely tuned to these acoustic cues and only a few listeners could detect them in parsing the poetic lines into detail bi-syllabic iambic units. This book is aimed at linguistic and literary researchers, language teachers, language students and lay people with an interest in linguistics as well as Vietnamese folk poetry. 52 pp. Englisch. Seller Inventory # 9783659779343

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