Lieder Eines Fahrenden Gesellen (for Voice and Orchestra)

 
9783702470470: Lieder Eines Fahrenden Gesellen (for Voice and Orchestra)


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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification:

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Lieder Eines Fahrenden Gesellen; Issue 251 Of Philharmonia Partituren; Issue 251 Of Philharmonia : Partituren, Scores, Partitions

Gustav Mahler

Wiener Philharmonischer Verlag, 1897

Song cycles; Songs (Low voice) with orchestra

"synopsis" may belong to another edition of this title.

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Book Description Universal Edition AG Sep 2017, 2017. sonst. Bücher. Book Condition: Neu. Neuware - 'The songs are conceived as a whole, as if a wayfarer, with his destiny, is now looking out into the world and is wandering from place to place. . The most painful experiences were bound to come.' (Gustav Mahler, 1885) Mahler's famous set of four songs for voice and orchestra is newly available in the handsome UE Study Scores format. Gustav Mahler's 'Lieder eines fahrenden Gesellen' ('Songs of a Wayfarer') occupy a special position in his song oeuvre. Subsequent to the 'Frühe Lieder und Gesänge' ('Songs and Airs') which - with the exception of the 'Serenade' and 'Phantasie' from Don Juan - were composed between 1880 and 1882 as songs for piano and voice, the 'Gesellenlieder' ('Wayfarer Songs') were the first works to be presented in the dual versions (songs for piano and voice / orchestral songs) that were so significant for Mahler's song compositions. The 'Gesellenlieder' were initially written as songs for piano and voice between late 1884 / early 1885 and 1890, and Mahler's orchestration only followed in the years between 1890 and 1893. Another unique feature is that they were explicitly conceived as a song cycle and together with the 'Kindertotenlieder' ('Songs on the Death of Children') and possibly also the 'Lied von der Erde' ('Song of the Earth') - although the latter is far more akin to a symphony - these are the only song cycles in Mahler's song oeuvre. The 'Gesellenlieder' ultimately express the subjective experience of suffering in a particularly remarkable way.Instrumentation: for voice and orchestra Deutsch. Bookseller Inventory # 9783702470470

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Book Description Universal Edition AG Sep 2017, 2017. sonst. Bücher. Book Condition: Neu. Neuware - 'The songs are conceived as a whole, as if a wayfarer, with his destiny, is now looking out into the world and is wandering from place to place. . The most painful experiences were bound to come.' (Gustav Mahler, 1885) Mahler's famous set of four songs for voice and orchestra is newly available in the handsome UE Study Scores format. Gustav Mahler's 'Lieder eines fahrenden Gesellen' ('Songs of a Wayfarer') occupy a special position in his song oeuvre. Subsequent to the 'Frühe Lieder und Gesänge' ('Songs and Airs') which - with the exception of the 'Serenade' and 'Phantasie' from Don Juan - were composed between 1880 and 1882 as songs for piano and voice, the 'Gesellenlieder' ('Wayfarer Songs') were the first works to be presented in the dual versions (songs for piano and voice / orchestral songs) that were so significant for Mahler's song compositions. The 'Gesellenlieder' were initially written as songs for piano and voice between late 1884 / early 1885 and 1890, and Mahler's orchestration only followed in the years between 1890 and 1893. Another unique feature is that they were explicitly conceived as a song cycle and together with the 'Kindertotenlieder' ('Songs on the Death of Children') and possibly also the 'Lied von der Erde' ('Song of the Earth') - although the latter is far more akin to a symphony - these are the only song cycles in Mahler's song oeuvre. The 'Gesellenlieder' ultimately express the subjective experience of suffering in a particularly remarkable way.Instrumentation: for voice and orchestra Deutsch. Bookseller Inventory # 9783702470470

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Book Description Universal Edition AG Sep 2017, 2017. sonst. Bücher. Book Condition: Neu. Neuware - 'The songs are conceived as a whole, as if a wayfarer, with his destiny, is now looking out into the world and is wandering from place to place. . The most painful experiences were bound to come.' (Gustav Mahler, 1885) Mahler's famous set of four songs for voice and orchestra is newly available in the handsome UE Study Scores format. Gustav Mahler's 'Lieder eines fahrenden Gesellen' ('Songs of a Wayfarer') occupy a special position in his song oeuvre. Subsequent to the 'Frühe Lieder und Gesänge' ('Songs and Airs') which - with the exception of the 'Serenade' and 'Phantasie' from Don Juan - were composed between 1880 and 1882 as songs for piano and voice, the 'Gesellenlieder' ('Wayfarer Songs') were the first works to be presented in the dual versions (songs for piano and voice / orchestral songs) that were so significant for Mahler's song compositions. The 'Gesellenlieder' were initially written as songs for piano and voice between late 1884 / early 1885 and 1890, and Mahler's orchestration only followed in the years between 1890 and 1893. Another unique feature is that they were explicitly conceived as a song cycle and together with the 'Kindertotenlieder' ('Songs on the Death of Children') and possibly also the 'Lied von der Erde' ('Song of the Earth') - although the latter is far more akin to a symphony - these are the only song cycles in Mahler's song oeuvre. The 'Gesellenlieder' ultimately express the subjective experience of suffering in a particularly remarkable way.Instrumentation: for voice and orchestra Deutsch. Bookseller Inventory # 9783702470470

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Book Description Universal Edition AG Sep 2017, 2017. Taschenbuch. Book Condition: Neu. Neuware - 'Die Lieder sind so zusammengedacht, als ob ein fahrender Gesell, der ein Schicksal gehabt, nun in die Welt hinauszieht, und so vor sich hin wandert. . Das Schmerzlichste hat noch kommen müssen.' (Gustav Mahler, 1885) Gustav Mahlers 'Lieder eines fahrenden Gesellen' nehmen in seinem Liedoeuvre eine besondere Position ein. Nach den 'Frühen Liedern und Gesängen', die - ausgenommen 'Serenade' und 'Phantasie' nach Don Juan - zwischen 1880 und 1882 als Klavierlieder entstanden sind, hat Mahler mit den 'Gesellenliedern' erstmals die für sein Liedschaffen signifikanten Doppelfassungen (sowohl Klavier- als auch Orchesterlied) vorgelegt. Zunächst als Klavierlieder zwischen Ende 1884 / Anfang 1885 und 1890 entstanden, wurden sie allerdings erst zwischen 1890 und 1893 orchestriert. Eine weitere Besonderheit liegt darin, dass sie explizit als Zyklus konzipiert wurden und damit neben den 'Kindertotenliedern' und allenfalls dem (allerdings weitaus eher zur Symphonie weisenden) 'Lied von der Erde' die einzigen Zyklen in Mahlers Liedschaffen bilden. Schließlich sind die 'Gesellenlieder' in besonders bemerkenswerter Weise Ausdruck subjektiver Leiderfahrung. 70 pp. Deutsch. Bookseller Inventory # 9783702470470

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