Michelle Stuart: Drawn from Nature

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9783775735490: Michelle Stuart: Drawn from Nature

Since the late sixties, American artist Michelle Stuart (born 1938) has become internationally known and respected for a rich and diverse body of work based on her lifelong interest in the natural world and the cosmos. Her multifaceted creativity and broad range of inspirations have led to her working in fields as diverse as drawing, sculpture, photography, video, installation and site-specific earthworks. Throughout her career, she has pursued a subtle and responsive dialogue with the natural world quite unlike the epic, at times seemingly grandiose, gestures of much contemporary Land Art. During the seventies she became associated with the feminist art movement, co-founding the journal Heresies with Lucy Lippard. Along with wide-ranging insights into Stuart’s choice of media and subject matter, this book emphasizes Stuart’s radical redefinition of the medium of drawing.

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A catalogue/book accompanying Drawn from Nature has some excellent essays and interviews by Nancy Princenthal, Anna Lovatt, Julie Joyce, and others. Last, but not least, in 2011, Michelle Stuart: Sculptural Objects: Journeys In & Out of the Studio was published. I love the book because it gives us your notations on the pieces along with the photo documentation. The introductory essay by Lucy Lippard is a great piece of writing, she was a champion of your work before Overlay.The book reads like a diary. (Anne McCoy The Brooklyn Rail)

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Book Description Book Condition: New. Publisher/Verlag: Hatje Cantz Verlag | Drawn from Nature | Zeichnungen jenseits von Papier, Stift und RahmenBislang umfangreichste Monografie über die Künstlerin | American artist Michelle Stuart ( 1938 in California) is internationally known for a rich and diverse body of work stemming from her lifelong interest in the natural world and the cosmos. Working in drawing, sculpture, photography, video, installation and site-specific earthworks, she has pursued a subtle and responsive dialogue with nature, distinct from the epic gestures of American Land Art. This publication encompasses a varied and unconventional range of media, while highlighting Stuart s major contribution to the practice of drawing. During the seventies she won recognition for her monumental drawings made outdoors, which have the characteristics of specific sites ingrained in their surfaces. Other works respond to the Nazca Lines in Peru, the Uffington White Horse in the UK and New Mexican petroglyphs, pushing our understanding of drawing beyond the page. Featuring three new essays and an interview with Stuart, this publication will be the definitive resource on the pioneering artist s work to date.Exhibition schedule: Djanogly Art Gallery, Lakeside Art Centre, University of Nottingham, February 16 April 14, 2013 Parish Art Museum, Water Mill, New York, July 21 October 27, 2013 Santa Barbara Museum of Art, January 26 April 20, 2014 | Format: Hardback | Language/Sprache: english | 1018 gr | 289x240x25 mm | 160 pp. Bookseller Inventory # K9783775735490

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Book Description Hatje Cantz Verlag Gmbh Jun 2013, 2013. Buch. Book Condition: Neu. Neuware - Das vielfältige Schaffen der amerikanischen Künstlerin Michelle Stuart (geb. 1938 in Kalifornien) ist von ihrem Interesse an organischen Prozessen der Natur und universalen Gesetzmäßigkeiten des Kosmos geprägt. Ob Zeichnung, Skulptur, Fotografie, Video, Installation oder sogenannte 'Earthworks' stets stehen ihre Arbeiten in einem subtilen Dialog mit der Natur und unterscheiden sich von den episch ausladenden Gesten der Land Art durch ihre äußerst reduzierte Formensprache. Die Publikation stellt die unkonventionellen Medien der Künstlerin vor, beginnend mit ihren frühen Arbeiten aus den 1960er-Jahren und ihrer radikalen Neudefinition des Mediums der Zeichnung: Mit monumentalen Zeichnungen in der Landschaft machte Stuart in den 1970er-Jahren auf sich aufmerksam. Ihre Werke rufen prähistorische Fels- und Scharrbilder wie etwa die Nazca-Linien in der peruanischen Wüste, das Uffington White Horse in Mittelengland oder die Petroglyphen in New Mexico in Erinnerung. Ausstellungen: Djanogly Art Gallery, Lakeside Art Centre, University of Nottingham 16.2. 14.4.2013 Parrish Art Museum, Water Mill, New York 21.7. 27.10.2013 Santa Barbara Museum of Art, Kalifornien 26.1. 20.4.2014 Grey Art Gallery, New York University 15.4. 12.7.2014 American artist Michelle Stuart ( 1938 in California) is internationally known for a rich and diverse body of work stemming from her lifelong interest in the natural world and the cosmos. Working in drawing, sculpture, photography, video, installation and site-specific earthworks, she has pursued a subtle and responsive dialogue with nature, distinct from the epic gestures of American Land Art. This publication encompasses a varied and unconventional range of media, while highlighting Stuart s major contribution to the practice of drawing. During the seventies she won recognition for her monumental drawings made outdoors, which have the characteristics of specific sites ingrained in their surfaces. Other works respond to the Nazca Lines in Peru, the Uffington White Horse in the UK and New Mexican petroglyphs, pushing our understanding of drawing beyond the page. Featuring three new essays and an interview with Stuart, this publication will be the definitive resource on the pioneering artist s work to date. Exhibition schedule: Djanogly Art Gallery, Lakeside Art Centre, University of Nottingham, February 16 April 14, 2013 Parish Art Museum, Water Mill, New York, July 21 October 27, 2013 Santa Barbara Museum of Art, January 26 April 20, 2014 157 pp. Englisch. Bookseller Inventory # 9783775735490

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Book Description Hatje Cantz Verlag Gmbh Jun 2013, 2013. Buch. Book Condition: Neu. Neuware - Das vielfältige Schaffen der amerikanischen Künstlerin Michelle Stuart (geb. 1938 in Kalifornien) ist von ihrem Interesse an organischen Prozessen der Natur und universalen Gesetzmäßigkeiten des Kosmos geprägt. Ob Zeichnung, Skulptur, Fotografie, Video, Installation oder sogenannte 'Earthworks' stets stehen ihre Arbeiten in einem subtilen Dialog mit der Natur und unterscheiden sich von den episch ausladenden Gesten der Land Art durch ihre äußerst reduzierte Formensprache. Die Publikation stellt die unkonventionellen Medien der Künstlerin vor, beginnend mit ihren frühen Arbeiten aus den 1960er-Jahren und ihrer radikalen Neudefinition des Mediums der Zeichnung: Mit monumentalen Zeichnungen in der Landschaft machte Stuart in den 1970er-Jahren auf sich aufmerksam. Ihre Werke rufen prähistorische Fels- und Scharrbilder wie etwa die Nazca-Linien in der peruanischen Wüste, das Uffington White Horse in Mittelengland oder die Petroglyphen in New Mexico in Erinnerung. Ausstellungen: Djanogly Art Gallery, Lakeside Art Centre, University of Nottingham 16.2. 14.4.2013 Parrish Art Museum, Water Mill, New York 21.7. 27.10.2013 Santa Barbara Museum of Art, Kalifornien 26.1. 20.4.2014 Grey Art Gallery, New York University 15.4. 12.7.2014 American artist Michelle Stuart ( 1938 in California) is internationally known for a rich and diverse body of work stemming from her lifelong interest in the natural world and the cosmos. Working in drawing, sculpture, photography, video, installation and site-specific earthworks, she has pursued a subtle and responsive dialogue with nature, distinct from the epic gestures of American Land Art. This publication encompasses a varied and unconventional range of media, while highlighting Stuart s major contribution to the practice of drawing. During the seventies she won recognition for her monumental drawings made outdoors, which have the characteristics of specific sites ingrained in their surfaces. Other works respond to the Nazca Lines in Peru, the Uffington White Horse in the UK and New Mexican petroglyphs, pushing our understanding of drawing beyond the page. Featuring three new essays and an interview with Stuart, this publication will be the definitive resource on the pioneering artist s work to date. Exhibition schedule: Djanogly Art Gallery, Lakeside Art Centre, University of Nottingham, February 16 April 14, 2013 Parish Art Museum, Water Mill, New York, July 21 October 27, 2013 Santa Barbara Museum of Art, January 26 April 20, 2014 157 pp. Englisch. Bookseller Inventory # 9783775735490

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Book Description Hatje Cantz Verlag Gmbh Jun 2013, 2013. Buch. Book Condition: Neu. Neuware - Das vielfältige Schaffen der amerikanischen Künstlerin Michelle Stuart (geb. 1938 in Kalifornien) ist von ihrem Interesse an organischen Prozessen der Natur und universalen Gesetzmäßigkeiten des Kosmos geprägt. Ob Zeichnung, Skulptur, Fotografie, Video, Installation oder sogenannte 'Earthworks' stets stehen ihre Arbeiten in einem subtilen Dialog mit der Natur und unterscheiden sich von den episch ausladenden Gesten der Land Art durch ihre äußerst reduzierte Formensprache. Die Publikation stellt die unkonventionellen Medien der Künstlerin vor, beginnend mit ihren frühen Arbeiten aus den 1960er-Jahren und ihrer radikalen Neudefinition des Mediums der Zeichnung: Mit monumentalen Zeichnungen in der Landschaft machte Stuart in den 1970er-Jahren auf sich aufmerksam. Ihre Werke rufen prähistorische Fels- und Scharrbilder wie etwa die Nazca-Linien in der peruanischen Wüste, das Uffington White Horse in Mittelengland oder die Petroglyphen in New Mexico in Erinnerung. Ausstellungen: Djanogly Art Gallery, Lakeside Art Centre, University of Nottingham 16.2. 14.4.2013 Parrish Art Museum, Water Mill, New York 21.7. 27.10.2013 Santa Barbara Museum of Art, Kalifornien 26.1. 20.4.2014 Grey Art Gallery, New York University 15.4. 12.7.2014 American artist Michelle Stuart ( 1938 in California) is internationally known for a rich and diverse body of work stemming from her lifelong interest in the natural world and the cosmos. Working in drawing, sculpture, photography, video, installation and site-specific earthworks, she has pursued a subtle and responsive dialogue with nature, distinct from the epic gestures of American Land Art. This publication encompasses a varied and unconventional range of media, while highlighting Stuart s major contribution to the practice of drawing. During the seventies she won recognition for her monumental drawings made outdoors, which have the characteristics of specific sites ingrained in their surfaces. Other works respond to the Nazca Lines in Peru, the Uffington White Horse in the UK and New Mexican petroglyphs, pushing our understanding of drawing beyond the page. Featuring three new essays and an interview with Stuart, this publication will be the definitive resource on the pioneering artist s work to date. Exhibition schedule: Djanogly Art Gallery, Lakeside Art Centre, University of Nottingham, February 16 April 14, 2013 Parish Art Museum, Water Mill, New York, July 21 October 27, 2013 Santa Barbara Museum of Art, January 26 April 20, 2014 157 pp. Englisch. Bookseller Inventory # 9783775735490

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Book Description Hatje Cantz, Germany, 2013. Hardback. Book Condition: New. Language: English . Brand New Book. Since the late sixties, American artist Michelle Stuart (born 1938) has become internationally known and respected for a rich and diverse body of work based on her lifelong interest in the natural world and the cosmos. Her multifaceted creativity and broad range of inspirations have led to her working in fields as diverse as drawing, sculpture, photography, video, installation and site-specific earthworks. Throughout her career, she has pursued a subtle and responsive dialogue with the natural world quite unlike the epic, at times seemingly grandiose, gestures of much contemporary Land Art. During the seventies she became associated with the feminist art movement, co-founding the journal Heresies with Lucy Lippard. Along with wide-ranging insights into Stuart s choice of media and subject matter, this book emphasizes Stuart s radical redefinition of the medium of drawing. Bookseller Inventory # KNV9783775735490

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Book Description see description. Book Condition: New. Satisfaction Guaranteed. If you are not satisfied with your purchase, you can return it for a replacement or refund. Bookseller Inventory # AEM2-4606

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Book Description Hatje Cantz Verlag Gmbh. Book Condition: Neu. Neu Jetzt vorbestellen! Versand sofort nach Erscheinen: Februar per Büchersendung - Das vielfältige Schaffen der amerikanischen Künstlerin Michelle Stuart (geb. 1938 in Kalifornien) ist von ihrem Interesse an organischen Prozessen der Natur und universalen Gesetzmäßigkeiten des Kosmos geprägt. Ob Zeichnung, Skulptur, Fotografie, Video, Installation oder sogenannte 'Earthworks' stets stehen ihre Arbeiten in einem subtilen Dialog mit der Natur und unterscheiden sich von den episch ausladenden Gesten der Land Art durch ihre äußerst reduzierte Formensprache. Die Publikation stellt die unkonventionellen Medien der Künstlerin vor, beginnend mit ihren frühen Arbeiten aus den 1960er-Jahren und ihrer radikalen Neudefinition des Mediums der Zeichnung: Mit monumentalen Zeichnungen in der Landschaft machte Stuart in den 1970er-Jahren auf sich aufmerksam. Ihre Werke rufen prähistorische Fels- und Scharrbilder wie etwa die Nazca-Linien in der peruanischen Wüste, das Uffington White Horse in Mittelengland oder die Petroglyphen in New Mexico in Erinnerung. Ausstellungen: Djanogly Art Gallery, Lakeside Art Centre, University of Nottingham 16.2. 14.4.2013 Parrish Art Museum, Water Mill, New York 21.7. 27.10.2013 Santa Barbara Museum of Art, Kalifornien 26.1. 20.4.2014 Grey Art Gallery, New York University 15.4. 12.7.2014 Englisch. Bookseller Inventory # INF1000146138

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