Since the early 1990s, Steve Sabella (born 1975) has consistently been creating cycles of work that comment on each other: Jerusalem in Exile (2006), Exit (2007), In Exile (2008), In Transition (2010), Euphoria (2010), Beyond Euphoria (2012), Metamorphosis (2012) and Independence (2013) comprise a significant tableau of possible transitions and processes of dissolution between world and image, image and world. The book reads time and history out of the photographs and thus describes the genesis of Sabella's photographic oeuvre under the aspects of exile, identity, migration and the divided topologies of the 21st century. Sabella uses photography as the artistic language of existential exile. His relationship to the medium is powerful. "At the end which me am I in us?" asks the Palestinian poet Mahmoud Darwish. In this sense, Sabella researches the construction of identity.
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Steve Sabella
born in Jerusalem, Palestine, is an award-winning artist, writer, and public speaker based in Berlin using photography and photographic installation as his primary modes of expression. Sabella holds an MA in photographic studies from the University of Westminster and an MA in Art Business from Sotheby's Institute of Art, London.
Sabella received the Ellen Auerbach Award from the Akademie der Künste Berlin by nomination, leading to a published study covering twenty years of his art. His award-winning memoir The Parachute Paradox, published by Kerber Verlag in 2016, received international recognition winning two awards for best memoir.
Sabella's life and art have been subject to several documentaries, and his art has been exhibited internationally and is held in private and public collections, including those of the British Museum in London, The Arab World Institute museum in Paris, and Mathaf: Arab Museum of Modern Art in Doha. In 2014, The International Center for Photography Scavi Scaligeri in Verona held Sabella's first major retrospective, Archaeology of the Future.
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