This book documents the first comprehensive exhibition of Italian Renaissance illuminations from collections in Europe and the United States. In the century between 1450 and 1550, Italian miniaturists, in collaboration with scribes and bookbinders, produced a series of masterpieces of book illumination which are still too little known and appreciated. Though working on a smaller scale than the great painters and sculptors of the Renaissance, these illuminators created works characterized by unrivaled standards of quality in materials (including frequent use of gold) and design, and by imaginative symbolism and breathtaking creativity.
137 manuscripts, printed books with hand-painted illustrations and single pages are illustrated in full color, ranging from small prayer books to large choir books, and from Greek, Roman, and Italian literature to collections of fables and historical treatises. Many of these volumes were commissioned by powerful wealthy, and discriminating patrons who included members of the ruling Italian families as well as cardinals and popes and many of whom were also prominent bibliophiles. Among other fascinating issues, the mechanics of patronage, patterns of production, and formation of libraries are discussed in three essays and in the catalogue entries - the latter divided into eight thematic sections - written by noted specialists in the history of Renaissance manuscripts and books. And, of course, we are introduced to the artists themselves - their working habits, characteristic styles, and interrelationships.
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The demise of the illuminated book brought about by the printing press and the introduction of perspective was fortunately slow in coming. This cogently introduced, scrupulously documented, and exquisitely illustrated exhibition catalog amply demonstrates that manuscript painting, although often ill regarded, was a flourishing and vital branch of Italian Renaissance art. Fortuitously presaged and complemented by Laurence B. Kanter's Painting and Illumination in Early Renaissance Florence, 1300-1450 (LJ 3/15/95), this volume proves the case for the continuity and efflorescence of the illuminated page into the late Renaissance. Eschewing strict chronological order, the catalog proper is intelligently structured along thematic lines. Among the categories pursued are religious and humanistic texts, patrons and illuminators and that terminal oddity-the hand-illuminated printed book. In addition to the works themselves, which are expansively described and superbly illustrated, three excellent essays and a glossary provide a social, stylistic, and technical context for these superb objects. For informed readers.
Robert Cahn, Fashion Inst. of Technology, New York
Copyright 1995 Reed Business Information, Inc.
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Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1650grams, ISBN:3791313851. Seller Inventory # 5836806
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Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Hardcover. Condition: Near Fine. Dust Jacket Condition: Fine. 1st. Cloth, 272 pages, illustrations (chiefly colour); 31 cm. Published on the occasion of the exhibition held at the Royal Academy of Arts, London, 27 October 1994 to 22 January 1995; and The Pierpont Morgan Library, New York, 15 February to 7 May 1995. Near fine. Firm binding, clean inside copy. Age toning, top edge lightly soiled. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "This book documents the first comprehensive exhibition of Italian Renaissance illuminations from collections in Europe and the United States. In the century between 1450 and 1550, Italian miniaturists, in collaboration with scribes and bookbinders, produced a series of masterpieces of book illumination which are still too little known and appreciated. Though working on a smaller scale than the great painters and sculptors of the Renaissance, these illuminators created works characterized by unrivaled standards of quality in materials (including frequent use of gold) and design, and by imaginative symbolism and breathtaking creativity. 137 manuscripts, printed books with hand-painted illustrations and single pages are illustrated in full color, ranging from small prayer books to large choir books, and from Greek, Roman, and Italian literature to collections of fables and historical treatises. Many of these volumes were commissioned by powerful wealthy, and discriminating patrons who included members of the ruling Italian families as well as cardinals and popes and many of whom were also prominent bibliophiles. Among other fascinating issues, the mechanics of patronage, patterns of production, and formation of libraries are discussed in three essays and in the catalogue entries - the latter divided into eight thematic sections - written by noted specialists in the history of Renaissance manuscripts and books. And, of course, we are introduced to the artists themselves - their working habits, characteristic styles, and interrelationships." - Publisher. *** CONTENTS: Patrons, libraries and illuminators in the Italian Renaissance, by Jonathan J.G. Alexander; The Italian Renaissance miniature, by Giordana Mariani Canova; The hand-illumination of printed books in Italy 1465-1515, by Lilian Armstrong; Catalogue. Liturgical and biblical manuscripts; Renaissance patrons and libraries; Classical and humanist texts; 'All'antica'; The hand-illuminated printed book; Illuminators and their methods of work; Choir books; The sixteenth century; Glossary. Size: 4to. Seller Inventory # 102986
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Paperback. Condition: Good. 280 page paperback exhibition catalog with many illustrations. Exhibit was at Royal Academy of Arts, London and Pierpont Morgan Library, New York in 1994 -95. Several essays, Catalogue, Glosssary, and Bibliography at rear. Rear bottom corner has light crease - otherwise very good condition. Seller Inventory # 538117
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Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Red cloth boards with gilt lettering. Color illus dj. with black lettering. 272 pp. Many color illus. Published on the occasion of the exhibition by the same name. Royal Academy of Arts, London, 27 October 1994 - 22 January 1995. The Pierpont Morgan Library, New York, 15 February - 7 May 1995. VG/VG Slight wear to dj edges. Contents clean and tight. Very mild tanning to page edges. Seller Inventory # 165184
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