Where is the Public in Public Art?: A Case Study of Chicago's Millennium Park

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9783836481892: Where is the Public in Public Art?: A Case Study of Chicago's Millennium Park

For centuries, public art has been a popular tool used to celebrate heroes, commemorate historical events, decorate public spaces, inspire citizens, and attract tourists. Public art has been created by the most renowned artists and commissioned by powerful political leaders. But, where is the public in public art? What is the role of that group believed to be the primary client of such public endeavors? How much power does the public have? Should they have? Do they want? In this thesis, I address these and other related questions through a case study of Millennium Park in Chicago. In contrast to other studies on this topic, this thesis focuses on the perspectives and opinions of the public; a group which I have found to be scarcely represented in the literature about public participation in public art.

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(2001) B.A. History of Art, Ohio State University (2005) Manager of Stores, Columbus Museum of Art (2006) Executive Director, Abstract Earth Gallery (2007) Teaching Associate, Ohio State University (2007) Research Intern, Ohio Cultural Facilities Commission (2008) M.A. Cultural Policy and Arts Administration, Ohio State University

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Book Description Book Condition: New. Publisher/Verlag: VDM Verlag Dr. Müller | A Case Study of Chicago's Millennium Park | For centuries, public art has been a popular tool used to celebrate heroes, commemorate historical events, decorate public spaces, inspire citizens, and attract tourists. Public art has been created by the most renowned artists and commissioned by powerful political leaders. But, where is the public in public art? What is the role of that group believed to be the primary client of such public endeavors? How much power does the public have? Should they have? Do they want? In this thesis, I address these and other related questions through a case study of Millennium Park in Chicago. In contrast to other studies on this topic, this thesis focuses on the perspectives and opinions of the public; a group which I have found to be scarcely represented in the literature about public participation in public art. | Format: Paperback | Language/Sprache: english | 118 gr | 220x150x11 mm | 76 pp. Bookseller Inventory # K9783836481892

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Book Description VDM Verlag Dr. Müller E.K. Nov 2013, 2013. Taschenbuch. Book Condition: Neu. Neuware - For centuries, public art has been a popular tool used to celebrate heroes, commemorate historical events, decorate public spaces, inspire citizens, and attract tourists. Public art has been created by the most renowned artists and commissioned by powerful political leaders. But, where is the public in public art What is the role of that group believed to be the primary client of such public endeavors How much power does the public have Should they have Do they want In this thesis, I address these and other related questions through a case study of Millennium Park in Chicago. In contrast to other studies on this topic, this thesis focuses on the perspectives and opinions of the public; a group which I have found to be scarcely represented in the literature about public participation in public art. 76 pp. Englisch. Bookseller Inventory # 9783836481892

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Book Description VDM Verlag Dr. Müller E.K. Nov 2013, 2013. Taschenbuch. Book Condition: Neu. Neuware - For centuries, public art has been a popular tool used to celebrate heroes, commemorate historical events, decorate public spaces, inspire citizens, and attract tourists. Public art has been created by the most renowned artists and commissioned by powerful political leaders. But, where is the public in public art What is the role of that group believed to be the primary client of such public endeavors How much power does the public have Should they have Do they want In this thesis, I address these and other related questions through a case study of Millennium Park in Chicago. In contrast to other studies on this topic, this thesis focuses on the perspectives and opinions of the public; a group which I have found to be scarcely represented in the literature about public participation in public art. 76 pp. Englisch. Bookseller Inventory # 9783836481892

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Book Description VDM Verlag Dr. Mueller e.K., Germany, 2013. Paperback. Book Condition: New. Language: English . Brand New Book. For centuries, public art has been a popular tool used to celebrate heroes, commemorate historical events, decorate public spaces, inspire citizens, and attract tourists. Public art has been created by the most renowned artists and commissioned by powerful political leaders. But, where is the public in public art? What is the role of that group believed to be the primary client of such public endeavors? How much power does the public have? Should they have? Do they want? In this book, I address these and other related questions through a case study of Millennium Park in Chicago. In contrast to other studies on this topic, this thesis focuses on the perspectives and opinions of the public; a group which I have found to be scarcely represented in the literature about public participation in public art. Bookseller Inventory # KNV9783836481892

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Book Description VDM Verlag Dr. Müller E.K. Nov 2013, 2013. Taschenbuch. Book Condition: Neu. This item is printed on demand - Print on Demand Neuware - For centuries, public art has been a popular tool used to celebrate heroes, commemorate historical events, decorate public spaces, inspire citizens, and attract tourists. Public art has been created by the most renowned artists and commissioned by powerful political leaders. But, where is the public in public art What is the role of that group believed to be the primary client of such public endeavors How much power does the public have Should they have Do they want In this thesis, I address these and other related questions through a case study of Millennium Park in Chicago. In contrast to other studies on this topic, this thesis focuses on the perspectives and opinions of the public; a group which I have found to be scarcely represented in the literature about public participation in public art. 76 pp. Englisch. Bookseller Inventory # 9783836481892

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