The Experience of Artmaking: Body, self and word as ontological environment

 
9783838303437: The Experience of Artmaking: Body, self and word as ontological environment

This book came from a belief that an inquiry into the creative process would provide me a different perspective from aesthetics, which was familiar to me as an artist. The idea of creativity is shrouded in mystery. I have often wondered whether my brain functions in the same way when I am painting as when I am solving a mathematical problem. The purpose of this book is to look into the nature of creativity to better understand what it is to be an artist. I know that all of my senses are implicated in my art making process. Paintings come from deep inside and materialise before me on the surface of a canvas. Experience and time are visible in the brush marks. My creative process is phenomenological when I consider the things that I perceive while focusing on my senses. I can decide whether or not I am open to awareness of my organism and as I focus on my physical state, metaphors emerge. The bridge that I cross from inside to the outside of my body when making art is not the same as the bridge I cross when I speak and write. I wrote this book for artists, teachers and all who might be interested in a discussion of art making as qualitative research.

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About the Author:

Lynn Millette is an artist who has substantiated her inquiries into perception, creation and ontology through an active art practice. She has a comprehensive background in disciplines related to culture including the new technologies, philosophy, psychology, literature, and the humanities. She works and teaches in Montreal.

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Book Description LAP Lambert Academic Publishing. Paperback. Book Condition: New. Paperback. 160 pages. Dimensions: 8.5in. x 5.8in. x 0.7in.This book came from a belief that an inquiry into the creative process would provide me a different perspective from aesthetics, which was familiar to me as an artist. The idea of creativity is shrouded in mystery. I have often wondered whether my brain functions in the same way when I am painting as when I am solving a mathematical problem. The purpose of this book is to look into the nature of creativity to better understand what it is to be an artist. I know that all of my senses are implicated in my art making process. Paintings come from deep inside and materialise before me on the surface of a canvas. Experience and time are visible in the brush marks. My creative process is phenomenological when I consider the things that I perceive while focusing on my senses. I can decide whether or not I am open to awareness of my organism and as I focus on my physical state, metaphors emerge. The bridge that I cross from inside to the outside of my body when making art is not the same as the bridge I cross when I speak and write. I wrote this book for artists, teachers and all who might be interested in a discussion of art making as qualitative research. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Bookseller Inventory # 9783838303437

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Book Description LAP Lambert Acad. Publ. Jul 2009, 2009. Taschenbuch. Book Condition: Neu. This item is printed on demand - Print on Demand Neuware - This book came from a belief that an inquiry into thecreative process would provide me a different perspective from aesthetics, which was familiar to me as an artist. The idea of creativity is shrouded in mystery. I have often wondered whether my brain functions in the same way when I am painting as when I am solving a mathematical problem. The purpose of this book is to look into the nature of creativity to better understand what it is to be an artist. I know that all of my senses are implicated in my art making process. Paintings come from deep inside and materialise before me on the surface of a canvas. Experience and time are visible in the brush marks. My creative process is phenomenological when I consider the things that I perceive while focusing on my senses. I can decide whether or not I am open to awareness of my organism and as I focus on my physical state, metaphors emerge. The bridge that I cross from inside to the outside of my body when making art is not the same as the bridge I cross when I speak and write. I wrote this book for artists, teachers and all who might be interested in a discussion of art making as qualitative research. 160 pp. Englisch. Bookseller Inventory # 9783838303437

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