Bertolt Brecht and Critical Theory: Marxism, Modernity and the "Threepenny Lawsuit

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9783906760254: Bertolt Brecht and Critical Theory: Marxism, Modernity and the

This study of Brechtian theory is the first to concentrate on the crucial text Der Dreigroschenprozeß ( The Threepenny Lawsuit). The author gives a comprehensive account of the legal case that provoked Brecht into writing Der Dreigroschenprozeß, in which he examines the implications of film production for authorial and moral rights in copyright law. Brecht's views on epistemology and social theory are analysed with reference to his reception of Logical Empiricism and the Marxism of Karl Korsch. The author demonstrates how Brecht's approach to the impact of modern media and technology on traditional aesthetics anticipates Walter Benjamin's Kunstwerk essay. Finally, the contemporary resonance of Der Dreigroschenprozeß is highlighted in relation to postmodern and poststructuralist theory.

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About the Author:

The Author: Steve Giles is Professor of Critical Theory, and Director of Research and Postgraduate Studies in the School of Humanities and Cultural Studies at Middlesex University. His publications include The Problem of Action in Modern European Drama (1981), the edited volume Theorizing Modernism (1993), and the co-edited volume Bertolt Brecht: Centenary Essays (1998).

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-'Bertolt Brecht and Critical Theory' covers interesting ground and offers a perspective on a moment in Brecht's thought through one of his under-discussed works.- (Philip Auslander, The Drama Review)
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Book Description Bern, Berlin, Frankfurt/M., New York, Paris, Wien, 1997, 1998. 202 pp., 1998. Book Condition: New. This study of Brechtian theory is the first to concentrate on the crucial text Der Dreigroschenprozeß (The Threepenny Lawsuit). The author gives a comprehensive account of the legal case that provoked Brecht into writing Der Dreigroschenprozeß, in which he examines the implications of film production for authorial and moral rights in copyright law. Brecht's views on epistemology and social theory are analysed with reference to his reception of Logical Empiricism and the Marxism of Karl Korsch. The author demonstrates how Brecht's approach to the impact of modern media and technology on traditional aesthetics anticipates Walter Benjamin's Kunstwerk essay. Finally, the contemporary resonance of Der Dreigroschenprozeß is highlighted in relation to postmodern and poststructuralist theory. Bookseller Inventory # 76025

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Book Description Peter Lang Jun 1998, 1998. Taschenbuch. Book Condition: Neu. 221x149x17 mm. Neuware - This study of Brechtian theory is the first to concentrate on the crucial text Der Dreigroschenprozeß (The Threepenny Lawsuit). The author gives a comprehensive account of the legal case that provoked Brecht into writing Der Dreigroschenprozeß, in which he examines the implications of film production for authorial and moral rights in copyright law. Brecht's views on epistemology and social theory are analysed with reference to his reception of Logical Empiricism and the Marxism of Karl Korsch. The author demonstrates how Brecht's approach to the impact of modern media and technology on traditional aesthetics anticipates Walter Benjamin's Kunstwerk essay. Finally, the contemporary resonance of Der Dreigroschenprozeß is highlighted in relation to postmodern and poststructuralist theory. 201 pp. Englisch. Bookseller Inventory # 9783906760254

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Book Description Peter Lang Jun 1998, 1998. Taschenbuch. Book Condition: Neu. 221x149x17 mm. Neuware - This study of Brechtian theory is the first to concentrate on the crucial text Der Dreigroschenprozeß (The Threepenny Lawsuit). The author gives a comprehensive account of the legal case that provoked Brecht into writing Der Dreigroschenprozeß, in which he examines the implications of film production for authorial and moral rights in copyright law. Brecht's views on epistemology and social theory are analysed with reference to his reception of Logical Empiricism and the Marxism of Karl Korsch. The author demonstrates how Brecht's approach to the impact of modern media and technology on traditional aesthetics anticipates Walter Benjamin's Kunstwerk essay. Finally, the contemporary resonance of Der Dreigroschenprozeß is highlighted in relation to postmodern and poststructuralist theory. 201 pp. Englisch. Bookseller Inventory # 9783906760254

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Book Description Peter Lang Jun 1998, 1998. Taschenbuch. Book Condition: Neu. 221x149x17 mm. Neuware - This study of Brechtian theory is the first to concentrate on the crucial text Der Dreigroschenprozeß (The Threepenny Lawsuit). The author gives a comprehensive account of the legal case that provoked Brecht into writing Der Dreigroschenprozeß, in which he examines the implications of film production for authorial and moral rights in copyright law. Brecht's views on epistemology and social theory are analysed with reference to his reception of Logical Empiricism and the Marxism of Karl Korsch. The author demonstrates how Brecht's approach to the impact of modern media and technology on traditional aesthetics anticipates Walter Benjamin's Kunstwerk essay. Finally, the contemporary resonance of Der Dreigroschenprozeß is highlighted in relation to postmodern and poststructuralist theory. 201 pp. Englisch. Bookseller Inventory # 9783906760254

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