Waves are found in various areas of life. There are acoustic sound waves, mechanical waves in physics, Mexican waves in football stadiums or waves in the water. The one thing they have all in common is their dynamic and power which arises from the movement of waves. The wordīs origin can be traced back to the Old High German word “wellan” which roughly means “to revolutionize sth.”
The form of the wave not only brings movement but also change in Thomas Kellnerīs contact sheets. His project „flucticulus“ breaks with his familiar creational method. Ceramic objects and collages extend his former art form, photography.
Tsunami are very different to ordinary waves. Their destructive power caused the death of 230 000 people in the catastrophe of Thailand in 2004. Kellner uses their massive power in his recent work. Throughout art history the motive of water and waves has always been of importance. The probably most known depiction of a wave comes from Hukasai („The Great Wave of Kangava“). His print shows a foaming wave. Thomas Kellner gets in line with previous depictions of waves, but keeps sight of architectural photography, which he is known for. In his work „Springflut“ wavelike pictures come to life, in contrast to rigid and stiff rectangles. The motives seem to dance and swing and thereby break with traditional architectural photography.
"synopsis" may belong to another edition of this title.
About the Author:
German photo artist Thomas Kellner was born in Bonn in 1966 and studied art, sociology, politics and economy at university, before he decided on a life in art and photography. He lives and works as a visual artist in Siegen, Germany, and now has a substantial international reputation, following solo exhibitions in numerous galleries around the world.
"About this title" may belong to another edition of this title.
- PublisherSeltmann Publishers Gmbh
- Publication date2019
- ISBN 10 3946688446
- ISBN 13 9783946688440
- BindingPaperback
- Number of pages48