Sternfeld’s candid images of an Outer Banks summer, which went on to inform his seminal work American Prospects
In the summer of 1975, facing surgery with the potential of paralysis, a young Joel Sternfeld went off in search of a last idyll―and found it in Nags Head, on North Carolina’s Outer Banks. From June to August he captured the beach town floating in time, a sense of spatial and temporal fluidity. Sternfeld’s images show beachgoers of all ages enjoying scenes of leisure and partying in what became his first body of work addressing a season.
Yet this summer sojourn was tragically broken by the news of the death of his brother; Sternfeld returned to New York, never to go back to Nags Head. Eventually he began working again and one day ventured to Rockaway Beach, Queens. Here he took a picture in which “all at once the ugly scene appeared beautiful to me”: the hues of sand, apartments and sky fuse into a cohesive whole. This photo, with its conceptual roots in Nags Head, would lead to the color structures of Sternfeld’s magnum opus American Prospects, his ambitious realization of what he had always wanted to do: follow the seasons across America.
A major figure in the photography world for nearly five decades, Joel Sternfeld was born in New York City in 1944. He has received numerous awards, including two Guggenheim fellowships, a Prix de Rome and the Citibank Photography Award. Sternfeld holds the Nobel Foundation Chair in Art and Cultural History at Sarah Lawrence College.
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Hardcover. Condition: new. Hardcover. 'In the good or successful color photograph, the definition or the meaning of the picture will somehow arise through the use of color.' - Joel SternfeldJoel Sternfeld entwines two personal stories in this book that together reveal the roots and evolution of color theory in his work over the past five decades. In the summer of 1975, facing surgery with a risk of paralysis, Sternfeld went in search of a last idyll-and found it in Nags Head on North Carolina's Outer Banks. From June to August he photographed the seaside town floating in time, capturing a dreamlike sense of solace. Sternfeld's images show beachgoers of all ages in various scenes of leisure and recreation in this, his first body of work addressing a season. At the time, Sternfeld was already committed to color as the basis of photographic expression and fascinated by Josef Albers' Interaction of Color: "Any time that I saw a color phenomenon in the landscape that somehow coincided with an Albers-type exercise in the perceptual properties of color, I made a photograph."Yet this summer sojourn was tragically broken by the death of Sternfeld's brother; the photographer returned to New York, never to go back to Nags Head. Eventually Sternfeld resumed working and one day headed to Rockaway Beach, Queens. Here he took a picture in which "All at once the ugly scene appeared beautiful to me"-the hues of sand, apartments and sky fused into a cohesive whole: finally, content had been transcended through color. This photo, made in despair and with its perceptual foundation in the Nags Head series, would lead, a few years later, to the color structures of Sternfeld's magnum opus American Prospects, his ambitious realization of what he had always wanted to do: follow the seasons across America. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9783969993187
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