Here in CLASSIC BONSAI OF JAPAN, the Nippon Bonsai Association, Japan's preeminent voice of the bonsai tradition, introduces a collection of the finest bonsai pieces to be found in Japan today-some of them presented to a Western audience for the first time. Over 130 fullcolor and 48 black-and-white plates of priceless specimens with informative commentary provide a definitive tour of the bonsai worldfrom a 15-year-old flowering cherry to a majestic 1,000-year-old Yezo spruce. The notes for each piece offer insights into the balance, style, harmony, and overall aesthetic effect along with comments on the history of its cultivation at the hands of several generations of bonsai masters.
John Bester brings his intimate knowledge of Japanese culture and sensibility to an elegant interpretation of bonsai art specifically adapted to Western readers. Essays on appreciation, history, and aesthetics further invite readers to enjoy this "natural" art on an informed level.
A feast for the eyes as well as a lasting monument to the history of an artistic tradition, this deluxe volume is sure to delight the bonsai enthusiast, garden hobbyist, lover of things Japanese-indeed anyone with an interest in looking at art and nature in unison.
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Currently, the association has more than 300 chapters nationwide with approximately 20,000 members and some 300 members in 30 countries throughout the world.
John Yoshio Naka is one of the foremost authorities on bonsai in the West and author of Bonsai Techniques. Hideo Aragaki is an awardwinning columnist. His collected essays for the magazine Bonsai Shunju appeared in book form under the title of Shizen to Jinsei (Nature and Life) in 1987. Hideo Marushima, a practicing lawyer, writes extensively on bonsai and suiseki for various Japanese publications. His Nihon Bonsai Bonseki Shiko (An Interpretative History of Bonsai and Suiseki) was published in 1982.
With the exception of ten years lecturing at the University of Tokyo, John Bester, a graduate of the School of Oriental and African Studies of London University, has devoted most of his time in Japan to translation. In particular, the many literary and other translations that he has undertaken for Kodansha International have established him in the front rank of the field.
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