Director Aleksei Balabanov is disturbed by his utterly immoral hero, but is also deeply sympathetic to him--the boy is like an animal, instinctively making his way through an urban wilderness filled with rust and muck. Like the Cagney of Public Enemy, he's an enterprising young businessman who's taken his initiative too far. Danila, who expresses a grunting, intolerant nationalism between gunshots, is last seen heading to Moscow, bringing his country's future with him. No one stands in his way. --Dave Kehr
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