I love Debra Winger. Her interpretation of Angela Crispine is consumately complex and enigmatic. The movie is about corruption integrated into American political life, but the real passion of the film is the great dynamic between Nolte and Winger. Miller's screenplay is beautiful. Check out this film, and look up Pauline Kael's review if you think perhaps my enthusiasm is misplaced. I adore Debra, and wish she'd make another film soon. Oh, why, why do American actresses lose leading-lady status at 40?
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