Synopsis
After the success of Polaroids published in 2000, Damiani announces the second edition with a new cover. Carlo Mollino (1905-1973) was one of the most inspired mid-20th-century architects and designers. In a career that spanned more than four decades, Mollino designed buildings, homes, cars, aircraft, women's fashion, and theater sets. He was a renaissance man who sought to articulate movement and sensuality in his designs. Even more compelling are the magically surreal Polaroid images Mollino made in his Turin studio during the last 14 years of his life, seen here in the first-ever collection of Mollino's carefully honed erotic photographs of women. From 1,500 works, the Ferraris have culled over 250 representative images in which Molino posed his models in evocative clothing, staged the backdrops, and finally, altered the photos with a microscopic paintbrush to attain his ideal view of the female form. Only a few of Mollino's Polaroids have ever been viewed by the public.
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About the Author
Carlo Mollino is born in Turin in 1905. He studies architecture and in 1953 he becomes professor of architecture composition at the Turin University. So much important as architecture are the furnishing, the furniture as unique pieces, publications and critical books. He also has several interests such as ski, mechanics, racing cars, aereal acrobatics and photography. In 1945 E. Scopinich publishes the monographic book Ritratti ambientali. He builds between 1936-1960 some 'houses' where to set his pictures, which from an interest for surrealism and symbolism in black and white photos arrive to a specific women portrait, at first in colour them polaroid.Carlo Mollino died in 1973, while still working.
From the Back Cover
After the success of Polaroids published in 2000, Damiani announces the second edition with a new cover. Carlo Mollino (1905-1973) was one of the most inspired mid-20th-century architects and designers. In a career that spanned more than four decades, Mollino designed buildings, homes, cars, aircraft, women's fashion, and theater sets. He was a renaissance man who sought to articulate movement and sensuality in his designs. Even more compelling are the magically surreal Polaroid images Mollino made in his Turin studio during the last 14 years of his life, seen here in the first-ever collection of Mollino's carefully honed erotic photographs of women. From 1,500 works, the Ferraris have culled over 250 representative images in which Molino posed his models in evocative clothing, staged the backdrops, and finally, altered the photos with a microscopic paintbrush to attain his ideal view of the female form. Only a few of Mollino's Polaroids have ever been viewed by the public.
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