The Bernard and Mary Berenson Collection of European Paintings at I Tatti

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9788897737636: The Bernard and Mary Berenson Collection of European Paintings at I Tatti

Edited by Carl Brandon Strehlke and Machtelt Brüggen Israëls, The Bernard and Mary Berenson Collection of European Paintings at I Tatti surveys the 149 works assembled by the Berensons for their home in Florence from the late 1890s through the first decades of the twentieth century at the time that they were making their mark on the world as connoisseurs. The catalogue presents a privileged window on the Berensons' intellectual interests through the objects they owned. The entries, written by an international team of art historians, take full advantage of the extensive correspondence from the Berensons' friends, family, and colleagues at I Tatti as well as the couple's diaries and notations on the backs of their vast gathering of photographs. All the entries are lavishly illustrated with full scholarly and technical accountings of the objects. There are also 17 illustrated reconstructions of the original contexts of panel paintings. The catalogue includes essays on the progress of the Berensons' collecting, their love for Siena, the Sienese forger Icilio Federico Joni, the critic Roger Fry, and René Piot's murals at I Tatti, as well as a listing of 94 pictures that were once at I Tatti including donations made to museums in Europe and America.

Contents:
Preface Lino Pertile; Acknowledgments - Carl Brandon Strehlke and Machtelt Israëls; Note to the Use of the Catalogue; Abbreviations; Glossary of People in the Berenson Circle Mentioned in the Text; Section I: Introductory Essays and Entries 0 to 111; Essay I: "Bernard and Mary Collect: Pictures Come to I Tatti" - Carl Brandon Strehlke; Essay II: "The Berensons and Siena" (working title) - Machtelt Israëls; Essay III: "Passions Intertwined: Art and Photography at I Tatti" - Giovanni Pagliarulo; Entries: Paintings from the 14th to 18th century - Plates 0 to 111; Section II: Fakes; Essay IV: The Berensons and the Sienese Forger Federico Ioni - Gianni Mazzoni; Entries: Fakes - Plates 112 to 116; Section III: Roger Fry; Essay V: "Roger Fry and Bernard Berenson" - Caroline Elam; Entry: Fry - Plate 117; Section IV: René Piot; Essay VI: "A Failure: René Piot and the Berensons" - Claudio Pizzorusso; Entries: Piot - Plates 118 to 131; Section V: The Berensons, Family and Friends; Entries: Portraits - Plates 132 to 138; Entries: Miscellanea - Plates 139 to 148; Appendix: Paintings Formerly Owned by the Berensons - Carl Brandon Strehlke and Machtelt Israëls; Bibliography; Photo Credits; Index.

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About the Author:

Carl Brandon Strehlke is Curator Emeritus of the Philadelphia Museum of Art for which he published a catalogue of early Italian paintings in 2004. He has written about and curated exhibitions on Florentine and Sienese Renaissance art, Fra Angelico, Pontormo and Bronzino. Machtelt Bruggen Israels is guest researcher at the University of Amsterdam. In 2009 she edited two volumes for Villa I Tatti on Sassetta's Borgo San Sepolcro altarpiece. She has written and lectured about Sienese art, Piero della Francesca, and Renaissance patronage.

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Book Description Officina libraria, Milano, 2015. Book Condition: NEW. Milano: Officina libraria, 2015 9788897737636 Villa I Tatti 5105 823 p. : indice, bibliografia ; 31 cm. Bernard Berenson, nato in Lituania da una famiglia ebrea poi trasferitasi a Boston, è stato il più importante storico dell’arte americano del Novecento e uno dei maggiori conoscitori del secolo scorso, tanto che i suoi celebri quattro libri sui pittori del Rinascimento italiano nel mondo anglosassone venivano definiti «i quattro vangeli». L’imponente volume The Bernard and Mary Berenson Collection of European Paintings at I Tatti, a cura di Carl Brandon Strehlke e Machtelt Brüggen Israëls, cataloga scientificamente le 149 opere d’arte raccolte dai Berenson per la loro casa fiorentina a partire dalle fine degli anni Novanta dell’Ottocento e durante i primi decenni del Novecento, proprio mentre Berenson diventa noto in tutto il mondo come conoscitore e storico dell’arte. Attraverso gli oggetti che gli appartennero veniamo così a conoscere gli interessi intellettuali e artistici dei Berenson. Le schede dei dipinti sono state redatte da storici dell’arte di tutto il mondo – tra i quali ricordiamo Giovanni Agosti, Alessandro Angelini, Daniele Benati, Luciano Bellosi, Keith Christiansen, Andrea De Marchi, Everett Fahy, Cecilia Frosinini, Dillian Gordon, Michel Laclotte, Vittoria Romani, Dóra Sallay, Jacopo Stoppa, Marco Tanzi, ecc. – che hanno avuto accesso alla copiosa corrispondenza tra i Berenson e i loro amici, parenti e colleghi come ai diari della coppia e alle notazioni manoscritte sui retri della loro vastissima raccolta di fotografie. Tutte le schede, che danno conto [.] Brandon Strehlke,Carl - Brüggen Israëls,Machtelt. Bookseller Inventory # D0196051258

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