Little is known about the artist Ohara Koson (1877-1945), whose career bridged the era between the decline of the full-coloured woodblock print (nishiki-e) in the late 19th century/early 20th century and the emergence of the Shin hanga (`new print') movement in the 1910s. An artist principally marketed abroad, Koson's bird-and-flower prints met with great success in the United States and Europe. He has only recently received attention in his native Japan following the discovery of important reference material including original sketches and paintings for his prints.
Crows, Cranes and Camellias: the Natural World of Ohara Koson 1877-1945 is the first publication in a Western language to discuss his corpus of work, and it has drawn upon the private Jan Perrde collection (now housed in the Rijksmuseum, Amsterdam) for inspiration. First published In 2001, this new edition features an additional chapter on Koson's oeuvre and designs which have been discovered since the original publication of Crows, Cranes and Camellias. Including an overview of Koson's life and artistic career, augmented by a checklist of the majority of his work, select seals and signatures, this book is a valuable source for Koson collectors.
"synopsis" may belong to another edition of this title.
Amy Reigle Newland has worked as a specialist editor and writer on Japanese woodblock prints for some fifteen years, with a particular interest in works of the late nineteenth and early twentieth centuries. In either and editorial and/or authorial role, her publications include Japanese Erotic Fantasies: Sexual Imagery of the Edo Period (2005), Printed to Perfection: Twentieth-century Japanese Prints from the Robert O. Muller Collection (2004), A Courtesan’s Day: Hour by Hour (2004), The Commercial and Cultural Climate of Japanese Printmaking (2004), Kawase Hasui: The Complete Woodblock Prints (2003), Crows, Cranes & Camellias: The Natural World of Ohara Koson 1877-1945 (2001), Time Present and Time Past: Images of a Forgotten Master – Toyohara Kunichika 1835-1900 (1999), Heroes & Ghosts: Japanese Prints by Utagawa Kuniyoshi 1797-1861 (1998), and The New Wave: Twentieth-century Japanese Prints from the Robert O. Muller Collection (1993). The Hotei Encyclopedia of Japanese Woodblock Prints (2005) is her most ambitious project to date, one which was coordinated from her home in rural New Zealand.
Robert Schaap was trained as an industrial designer and later received a British Council Scholarship Award to study graphic design at Hornsey College of Art in London. As a graphic designer he has focused on books relating to Japanese prints for some fifteen years, and over the last twenty-five years he has been collecting Japanese prints and paintings. He is a member of the Board of the Society for Japanese Arts and serves as Editor of the Society’s journal Andon. Over the years he has written numerous articles and reviews on various aspects of Japanese prints, and has (co)-organized several exhibitions on Japanese prints like Beauty & Violence. Japanese Prints by Yoshitoshi 1839-1892 and Heroes & Ghosts. Japanese Prints by Kuniyoshi 1797-1861 and was the main author of their accompanying catalogues.
Jan Perrée (?-2004) was an architect and a long time collector of Japanese prints.
Amy Reigle Newland has worked as a specialist editor and writer on Japanese woodblock prints for some fifteen years, with a particular interest in works of the late nineteenth and early twentieth centuries. In either and editorial and/or authorial role, her publications include Japanese Erotic Fantasies: Sexual Imagery of the Edo Period (2005), Printed to Perfection: Twentieth-century Japanese Prints from the Robert O. Muller Collection (2004), A Courtesan’s Day: Hour by Hour (2004), The Commercial and Cultural Climate of Japanese Printmaking (2004), Kawase Hasui: The Complete Woodblock Prints (2003), Crows, Cranes & Camellias: The Natural World of Ohara Koson 1877-1945 (2001), Time Present and Time Past: Images of a Forgotten Master – Toyohara Kunichika 1835-1900 (1999), Heroes & Ghosts: Japanese Prints by Utagawa Kuniyoshi 1797-1861 (1998), and The New Wave: Twentieth-century Japanese Prints from the Robert O. Muller Collection (1993). The Hotei Encyclopedia of Japanese Woodblock Prints (2005) is her most ambitious project to date, one which was coordinated from her home in rural New Zealand.
Robert Schaap was trained as an industrial designer and later received a British Council Scholarship Award to study graphic design at Hornsey College of Art in London. As a graphic designer he has focused on books relating to Japanese prints for some fifteen years, and over the last twenty-five years he has been collecting Japanese prints and paintings. He is a member of the Board of the Society for Japanese Arts and serves as Editor of the Society’s journal Andon. Over the years he has written numerous articles and reviews on various aspects of Japanese prints, and has (co)-organized several exhibitions on Japanese prints like Beauty & Violence. Japanese Prints by Yoshitoshi 1839-1892 and Heroes & Ghosts. Japanese Prints by Kuniyoshi 1797-1861 and was the main author of their accompanying catalogues.
Jan Perrée (?-2004) was an architect and a long time collector of Japanese prints.
The work of print artist Ohara Koson (1877-1945) mainly consists of prints of birds and flowers, characterised by their peaceful charm. This book about Koson is the first Western publication of his oeuvre of prints and paintings. It provides all known information on the artist's life and work, his teachers and publishers, facsimiles of his signatures and seals and illustrations of an estimated seventy-five percent of his total print output. This title is the definitive reference book for Koson collectors. "Crows, cranes & camellias" accompanied an exhibition of Koson's work held at the Rijksmuseum, Amsterdam in 2001.
"About this title" may belong to another edition of this title.
Seller: Revaluation Books, Exeter, United Kingdom
Hardcover. Condition: Brand New. 2nd edition. 216 pages. 11.90x9.90x0.90 inches. In Stock. Seller Inventory # __9004181067
Quantity: 6 available
Seller: Brook Bookstore, Milano, MI, Italy
Condition: new. Seller Inventory # dc75d8b647c6c24d6dbe8c622066d2b0
Seller: Jorge Welsh Books, Lisboa, Portugal
Hardcover. Condition: Very Good. Dust Jacket Included. 2nd Edition. English text; Hardcover (with dust jacket); 25.5 x 30.5 cm; 1.6 kg; 234 pages with colour illustrations.; Used with signs of wear on the dust jacket, which shows edge wear, a few wear marks on the front cover, spine and back cover and some scratches on the rear cover. Minor signs of wear on the interior.; Published in conjunction with the exhibition Ohara Koson (1877-1945): Natuur in prent, held at the Rijksmuseum Amsterdam from 31 March - 1 July 2001.;Little is known about the artist Ohara Koson (1877-1945), whose career bridged the era between the decline of the full-coloured woodblock print (nishiki-e) in the late 19th century/early 20th century and the emergence of the Shin hanga ('new print') movement in the 1910s. An artist principally marketed abroad, Koson's bird-and-flower prints met with great success in the United States and Europe. He has only recently received attention in his native Japan following the discovery of important reference material including original sketches and paintings for his prints. Crows, Cranes and Camellias: the Natural World of Ohara Koson 1877-1945 is the first publication in a Western language to discuss his corpus of work, and it has drawn upon the private Jan Perrée collection (now housed in the Rijksmuseum, Amsterdam) for inspiration. First published in 2001, this new edition features an additional chapter on Koson's oeuvre and designs which have been discovered since the original publication of Crows, Cranes and Camellias. Including an overview of Koson's life and artistic career, augmented by a checklist of the majority of his work, select seals and signatures, this book is a valuable source for Koson collectors. Seller Inventory # 1143B