An astonishing number of medieval garments survive, more-or-less complete. Here the authors present 100 items, ranging from homely to princely. The book’s wide-ranging introduction discusses the circumstances in which garments have survived to the present; sets and collections; constructional and decorative techniques; iconography; inscriptions on garments; style and fashion. Detailed descriptions and discussions explain technique and ornament, investigate alleged associations with famous people (many of them spurious) and demonstrate, even when there are no known associations, how a garment may reveal its own biography: a story that can include repair, remaking, recycling; burial, resurrection and veneration; accidental loss or deliberate deposition.
The authors both have many publications in the field of medieval studies, including previous collaborations on medieval textiles such as Medieval Textiles of the British Isles AD 450-1100: an Annotated Bibliography (2007), the Encyclopedia of Medieval Dress and Textiles of the British Isles (2012) and online bibliographies.
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Elizabeth Coatsworth BA, MSc, Ph.D., was Senior Lecturer and, until recently, Honorary Research Fellow in the Manchester Institute for Research and Innovation in Art and Design (MIRIAD), Manchester Metropolitan University. Her books include The Durham Gospels (with Christopher D. Verey, and T. Julian Brown, 1980); The Art of the Anglo-Saxon Goldsmith (with Michael Pinder, 2002); and Corpus of Anglo-Saxon Stone Sculpture. VIII. Western Yorkshire (2008).
Gale R. Owen-Crocker BA, Ph.D., FSA is Professor Emerita, The University of Manchester, where she was previously Professor of Anglo-Saxon Culture and Director of the Manchester Centre for Anglo-Saxon Studies. Her books include Dress in Anglo-Saxon England (1986, 2004); The Four Funerals in Beowulf (2000); and The Bayeux Tapestry: Collected Papers (2012). She is co-founder and co-editor of the annual journal Medieval Clothing and Textiles.
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