Point of View in the Cinema: A Theory of Narration and Subjectivity in Classical Film (Janua Linguarum) (Approaches to Semiotics)

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9789027930798: Point of View in the Cinema: A Theory of Narration and Subjectivity in Classical Film (Janua Linguarum) (Approaches to Semiotics)
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Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to "naturalize" style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration.

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Book Description De Gruyter, Germany, 1985. Hardback. Condition: New. Reprint 2010. Language: English. Brand new Book. Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to "naturalize" style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration. Seller Inventory # LIE9789027930798

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Book Description De Gruyter, Germany, 1985. Hardback. Condition: New. Reprint 2010. Language: English. Brand new Book. Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to "naturalize" style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration. Seller Inventory # APC9789027930798

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Book Description De Gruyter, Germany, 1985. Hardback. Condition: New. Reprint 2010. Language: English. Brand new Book. Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to "naturalize" style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration. Seller Inventory # APC9789027930798

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