Palaeobyzantine Notations III (Eastern Christian Studies)

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9789042914346: Palaeobyzantine Notations III (Eastern Christian Studies)

This publication, the result of a conference attended by musicologists and Byzantinists at Hernen Castle, The Netherlands, illuminates different aspects of Byzantine and ensuing Slavic chant. It focuses on two major topics: notation and melismatics; other contributions explore Byzantine and Slavic tradition through liturgy, the modality of the chants and oral transmission. It is important to view the musical and liturgic appearance of late Byzantine and Slavic times not as separate from early tradition, but to always keep its roots of development in mind. Thus, the emergence of the different notation systems forms the basis for all further research. In the liturgical music of the Hagia Sophia in Constantinople, melismatic chants developed as early as the 8th-10th century, while simple melodies prevailed in monastic rites. The fusion of cathredral and monastic tradition constituted the foundation for the emergence of a highly melismatic chant form, the kalophony. Based on the Byzantine chant tradition, melismatic chants, which influenced the ornamented melodies of Russian church music of the 15th-17th centuries, were already in use in Slavic areas in the 11th century. Another important aspect is the significance of oral transmission, which constituted a main element of the tradition of chants through time.

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Published by Peeters Publishers (2004)
ISBN 10: 9042914343 ISBN 13: 9789042914346
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Published by Peeters Publishers, Belgium (2004)
ISBN 10: 9042914343 ISBN 13: 9789042914346
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Book Description Peeters Publishers, Belgium, 2004. Paperback. Book Condition: New. Language: German . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Der vorliegende Band als Ergebnis einer Tagung von Musikologen und Byzantinisten in Schloss Hernen/NL, beleuchtet verschiedene Aspekte des byzantinischen und des daraus entsprungenen slavischen Kirchengesangs. Zwei grosse Themenkreise stehen im Vordergrund: Notation und Melismatik, daneben beleuchten Beitrage zur Liturgie, zur Modalitat der Gesange und zur oralen Uberlieferung die byzantinische und slavische Tradition. Es ist wichtig, musikalische und liturgische Erscheinungsbilder der byzantinischen und slavischen Spatzeit nicht losgelost von der fruhen Tradition zu untersuchen, sondern die Wurzeln ihrer Entstehung stets im Auge zu behalten. Hierin stellt die Entwicklung der verschiedenen Notationssysteme die Basis fur jede weitere Untersuchung dar. In der liturgischen Musik der Hagia Sophia von Konstantinopel entstanden bereits im 8.-10. Jahrhundert melismatische Gesange, wahrend im monastischen Ritus einfache Melodien vorherrschten. Die Verschmelzung von Kathedral- und monastischer Tradition schuf eine neue Basis fur die Entstehung einer hochmelismatischen Gesangform, der Kalophonie. Basierend auf der byzantinischen Gesangtradition sind auch im slavischen Raum bereits ab dem 11. Jahrhundert melismatische Gesange uberliefert, die auf die ornamentierten Melodien der russischen Kirchenmusik des 15.-17. Jahrhunderts Einfluss hatten. Ein bedeutender Aspekt ist die Berucksichtigung der oralen Tradition, die durch alle Zeiten ein tragendes Element in der Uberlieferung der Gesange war. Bookseller Inventory # BTE9789042914346

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Book Description 2004. Paperback. Book Condition: New. Paperback. This publication, the result of a conference attended by musicologists and Byzantinists at Hernen Castle, The Netherlands, illuminates different aspects of Byzantine and ensui.Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 257 pages. 0.522. Bookseller Inventory # 9789042914346

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