Rembrandt's paintings have been admired throughout centuries because of their artistic freedom. But Rembrandt was also a craftsman whose painting technique was rooted the tradition. This sweeping examination of Rembrandt's oeuvre is the result of a lifelong search for the artist's working methods, his intellectual approach to painting and the way in which his studio functioned. Ernst van de Wetering demonstrates how this knowledge can be used to tackle questions about authenticity and other art-historical issues. Approximately 350 illustrations, half of which are reproduced in colour, make this book into a monumental tribute to one of the worlds most important painters.
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"http://www.hiddenmasterpieces.com/dr-ernst-van-de-wetering/" target="_blank"> Ernst van de Wetering (1938) is emeritus professor of art history. He became a team-member of the Rembrandt Research Project in 1968 and its chairman in 1993. Originally trained as a painter and art-historian, he worked from 1969-1987 in the Amsterdam based Central Research Laboratory of Objects of Art and Science. From 1987-2002 he taught at the University of Amsterdam. In 2003/2004 he was Slade Professor at the University of Oxford. He is considered one of the world's foremost specialists on Rembrandt and his work. In 1997, he published the widely acclaimed monograph Rembrandt: The Painter at Work (2nd ed. 2008). 2014 saw the publication of his monumental oeuvre catalogue Rembrandt's Paintings Revisited: A Complete Survey; the concluding volume of A Corpus of Rembrandt Paintings.Review:
'The book is - if one may be allowed to say such a thing about a serious scholarly work - a gripping good-read.'[-]Christopher White - The Burlington Magazine[-][-]'This is a very rich book, a deeply felt analysis of an artist whom the author knows better than almost any other living scholar.'[-]Christopher Brown - Times Literary Supplement[-][-]'Who would not have wanted to look over Rembrandt's shoulder while he painted? Among the countless books on Rembrandt, that by Ernst van de Wetering comes closest to conveying something of this experience because the author combines the qualifications of a trained connoisseur and of a practising painter.'[-]Ernst Gombrich
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