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AMERICAN RHAPSODY

Eszterhas, Joe

212 ratings by Goodreads
ISBN 10: 0375411445 / ISBN 13: 9780375411441
Published by Alfred A. Knopf Incorporated, New York, 2000
Hardcover
From Rare Book Cellar (Pomona, NY, U.S.A.)

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Near Fine in a Very Good+ dust jacket. Light shelf wear. "First Edition" stated. ; Original dust jacket. Bookseller Inventory # 27557

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Bibliographic Details

Title: AMERICAN RHAPSODY

Publisher: Alfred A. Knopf Incorporated, New York

Publication Date: 2000

Binding: Hardcover

Edition: First Edition; First Printing.

About this title

Synopsis:

The setting . . .
Washington, Hollywood, and the landscape of the American Republic.

The writer . . .
Joe Eszterhas, ex-Rolling Stone reporter, National Book Award nominee for Charlie Simpson's Apocalypse, and screenwriter of such blockbusters as Basic Instinct and Jagged Edge.

The stars . . .
Bill and Hillary Clinton, George W. Bush, Al Gore, John McCain, Ken Starr, and Monica Lewinsky.

The supporting players . . .
Warren Beatty, James Carville, Sharon Stone, Larry Flynt, Vernon Jordan, Linda Tripp, Matt Drudge, and Bob Packwood (with cameos by Richard Nixon and Farrah Fawcett, Eleanor Roosevelt and David Geffen, Robert Evans and Richard Gere).

The story . . .
The most basic, and basest, in many years -- an up-close and personal look at the people who run our world. A tale filled with humor, tragedy and romance; suspense, absurdity and high drama; and, of course, lots and lots of sex.
In American Rhapsody, Eszterhas combines comprehensive research with insight, honesty, and astute observation to reveal ultimate truths. This is a book that flouts virtually every rule, yet joins a rich journalistic tradition distinguished by such writers as Norman Mailer and Tom Wolfe.

A brilliant, unnerving, hugely entertaining look at our political culture, our heroes and villains, American Rhapsody will delight some and outrage others, but it will not be ignored.  What Joe Eszterhas has produced is a penetrating and devastating panorama of all of us, a fun-house mirror held up to our own morals, hypocrisies and desires.

Review:

American Rhapsody is a gleeful act of outrage, simultaneously an assault on the Clintons and a bridge-burning, tell-all Hollywood memoir in the wicked spirit of You'll Never Eat Lunch in This Town Again. Joe Eszterhas's narrative is a torrent of consciousness with no consistent sense of direction, but it all erupts from a plausible organizing principle best articulated in the chapter "Bubba in Pig Heaven": Hollywood is where Clinton really belongs. The author claims Bill watches Blazing Saddles six times a year, and says that Gennifer Flowers got him blazing by enacting a Sharon Stone-like crotch-shot scene years before Basic Instinct. When a sarcastic Clinton allegedly told a Hollywood producer that his enemies would soon be accusing him of coupling with a cow, the producer sent him Eszterhas's 1989 screenplay Sacred Cow, in which a president does just that. Eszterhas claims Spielberg dropped the film because of his friendship with Clinton. But he still thinks Clinton would be great in the role.

The Lewinsky saga really should be ho-hum by now, but American Rhapsody's Evel Knievel-like leaps of free association and mad brio breathe life into it. You've never been properly introduced to Linda Tripp and Lucianne Goldberg until you've read "The Ratwoman and the Bag Lady of Sleaze," its uproarious take on the pair. American Rhapsody gives dozens of stars time in the sweaty spotlight: Matt "the Scavenger" Drudge, heroic Larry Flynt (whose threat to report Republican scandals Eszterhas credits with quashing impeachment)--almost every big political scandal victim in memory. And there are lots of Hollywood types behaving badly: Bob Dylan, Warren Beatty, Ronald Reagan, Farrah Fawcett, Sharon Stone, Robert Evans, Sly Stallone (who wanted to portray Jesus onscreen), and even Joe Eszterhas. The fantasy chapters, printed in boldface, are sometimes funny (e.g., "Kenneth W. Starr Confesses"), but mostly they're both over the top and below the belt (e.g., "Willard Comes Clean," the confessions of the president's penis). What holds your interest is the main narrative, a heady mix of showbiz gossip, personal essay, and Lester Bangs-style prose mania. --Tim Appelo

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