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An Accented Cinema: Exilic and Diaspora Filmmaking

Naficy, Hamid

33 ratings by Goodreads
ISBN 10: 0691043914 / ISBN 13: 9780691043913
Published by Princeton Univ Pr, Ewing, New Jersey, U.S.A., 2001
Condition: Near Fine Soft cover
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First softcover printing. A very serious, scholarly study of filmmaking in non-European countries and among non-European filmmakers. Some of the topics covered include: Collective Mode of Production; Chronotopes of Imagined Homeland; Chronotopes of Life in Exile; Journey, Border Crossing and Identity Crossing. Extensive Chapter Notes included. Illustrated with B&W stills in text. Near new with light shelfwear. 374 pp. Bookseller Inventory # 12515

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Bibliographic Details

Title: An Accented Cinema: Exilic and Diaspora ...

Publisher: Princeton Univ Pr, Ewing, New Jersey, U.S.A.

Publication Date: 2001

Binding: Soft Cover

Book Condition:Near Fine

Edition: 1st Edition.

About this title


In An Accented Cinema, Hamid Naficy offers an engaging overview of an important trend--the filmmaking of postcolonial, Third World, and other displaced individuals living in the West. How their personal experiences of exile or diaspora translate into cinema is a key focus of Naficy's work. Although the experience of expatriation varies greatly from one person to the next, the films themselves exhibit stylistic similarities, from their open- and closed-form aesthetics to their nostalgic and memory-driven multilingual narratives, and from their emphasis on political agency to their concern with identity and transgression of identity. The author explores such features while considering the specific histories of individuals and groups that engender divergent experiences, institutions, and modes of cultural production and consumption. Treating creativity as a social practice, he demonstrates that the films are in dialogue not only with the home and host societies but also with audiences, many of whom are also situated astride cultures and whose desires and fears the filmmakers wish to express.

Comparing these films to Hollywood films, Naficy calls them "accented." Their accent results from the displacement of the filmmakers, their alternative production modes, and their style. Accented cinema is an emerging genre, one that requires new sets of viewing skills on the part of audiences. Its significance continues to grow in terms of output, stylistic variety, cultural diversity, and social impact. This book offers the first comprehensive and global coverage of this genre while presenting a framework in which to understand its intricacies.

From the Back Cover:

"An Accented Cinema is in numerous respects a monumental work. It is an attempt to rewrite the history of contemporary cinema by reinventing the categories we use to think about production, consumption, and spectatorship. The energy behind this effort and the continual use of excellent examples to back up the argument make the book a unique and original work of scholarship. It is likely to produce a great deal of debate and interest among film scholars and cultural analysts."--Ron Burnett, President and Professor, Emily Carr Institute of Art and Design

"Hamid Naficy's Accented Cinema offers a groundbreaking overview of theoretical and aesthetic debates concerning postcolonial, exilic, and diasporic forms of cinema. His analysis moves elegantly between high theory and sensitive 'close-up' readings of emblematic tropes in the work of key filmmakers in this field such as Kusturica, Guney, and Egoyan. The book is a major contribution to the study of transnational cultures and the cinematic production of cultural identities."--David Morley, Goldsmiths College, University of London

"Hamid Naficy's magisterial account of an accented cinema proposes a timely reassessment of the ethics and aesthetics of the occidental center. In the details of language, perspective, and technique, the many significant films considered by Naficy invite us to a re-vision of our very understanding of cinema in the modern world."--Iain Chambers, Istituto Universitario Orientale

"Drawing on highly literary and media theory, Naficy places accented films in an evolving, multilayered dialogue with home and host countries."--Robert Avila, San Francisco

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