Much Ado About Nothing is one of Shakespeare's most imaginative and exuberant comedies, contrasting two pairs of lovers in a witty and suspenseful battle of the sexes. Attracted to each other, the maddeningly skeptical Beatrice and Benedick are dead-locked in a lively war of words until their friends hatch a plot to unite them. The mutually devoted Hero and Claudio, on the other hand, all too quickly fall victim to a malicious plot to part them. Near-fatal complications ensue, but with the help of the hilarious Constable Dogberry and his confederates, the lovers are ultimately united.
First presented in 1598, Much Ado About Nothing is one of Shakespeare's last comedies. Its darker undercurrents foreshadow the playwright's growing concern with the frailties of human character that would dominate his late tragedies. But in its clever turns of plot, vivacious displays of wit, jovial conversations, and charming songs, this merry comedy is among Shakespeare's most artistic creations.
This is the first edition of Much Ado About Nothing focusing wholly on the play in performance. Shifting trends in the production of this popular drama are analysed in relation to the culture of each period since Shakespeare's time, with particular attention to gender issues. A commentary alongside the text recreates in lively detail interpretations of each passage in a variety of British, American, Canadian and other productions. An essential resource for students, teachers and performers, this is an illuminating book for theatregoers.