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Age of Bronze, Vol. 3 Part 1

Shanower, Eric

398 ratings by Goodreads
ISBN 10: 1582408459 / ISBN 13: 9781582408453
Published by Image Comics, 2008
Condition: Near Fine Hardcover
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About this Item

First printing. Green cloth, gilt titles. Winner, two Eisner Awards. Strip in B&W. A near fine copy in like DJ. 172 pp. Bookseller Inventory # 12222

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Bibliographic Details

Title: Age of Bronze, Vol. 3 Part 1

Publisher: Image Comics

Publication Date: 2008

Binding: Hardcover

Illustrator: Gran Guinigi

Book Condition:Near Fine

Dust Jacket Condition: Near Fine

Edition: 1st Edition.

About this title


  • High King Agamemnon lusts to conquer the wealthy city of Troy. On the island of Tenedos, just off the coast of Troy, Achilles leads the attack. When the dust settles, Achilles finds himself one step closer to his tragic fate. Meanwhile, the Trojans prepare their defenses and gather allies. Agamemnon's offer of a peace embassy to King Priam reassures few. War appears inevitable. Even Helen dreads to face what lies ahead for her and everyone she loves or once loved.

From Publishers Weekly:

Starred Review. In Shanower's latest installment of his monumental, Eisner award–winning retelling of the Trojan War, the Achaean fleet finally arrives at the shore of Troy. Before the war can begin, the story's many vivid characters get another chance to display their natures, including Achilles impulsively pursuing glory, young Troilus yearning over Cressida, Hektor preaching reasonable compromise in an impossible situation, slippery Odysseus orating, and Helen and Paris so besotted with each other and themselves that they'll let kingdoms drift into ruin. Shanower's people are well drawn in more ways than one, so readers can enjoy picking out the postures and expressions of individuals in a crowd scene. Impressive as the black and white art is, some of the panels are crammed with details, just as the pages are filled with text as the characters have their say. Then, readers notice how cleverly Troilus's lovesick funk is treated in repetitious, mostly silent panels—or how subtly the climactic appearance of an Achaean embassy to Trojan King Priam, the last chance to prevent the impending war, is managed with a mixture of closeups and long shots, open line work and encroaching shadows. On all levels, this is a brilliant work. (Jan.)
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