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Synopsis: Published to accompany a major retrospective exhibition--the first in the United States in more than 35 years and the most comprehensive ever mounted--this title showcases the pioneering work of Italian artist Alberto Burri (1915-95). Exploring the beauty and complexity of Burri's process-based works, the exhibition positions the artist as a central and singular protagonist of postwar art. Burri is best known for his series of Sacchi (sacks) made of stitched and patched remnants of torn burlap bags, often combined with fragments of discarded clothing. Far less familiar to American audiences are his other series, which this exhibition represents in depth: Catrami (tars), Gobbi (hunchbacks), Muffe (molds), Bianchi (whites), Legni (woods), Ferri (irons), Combustioni plastiche (plastic combustions), Cretti and Cellotex works.
Burri's work both demolished and reconfigured the Western pictorial tradition, while reconceptualizing modernist collage. Using unconventional materials, he moved beyond the painted surfaces and markmaking of American Abstract Expressionism and European Art Informel. Burri's unprecedented approaches to manipulating humble substances--and his abject picture-objects--also profoundly influenced Arte Povera, Neo-Dada and Process art.
Alberto Burri was born in Italy in 1915. He first garnered attention in the US in the early 1950s when his work was included in the group exhibition Younger European Painters at the Guggenheim Museum and was also shown at the Frumkin Gallery, Chicago, and at the Stable Gallery, New York. In 1977 a retrospective was presented at the University of California's Frederick S. Wight Gallery, Los Angeles, and traveled to the Marion Koogler McNay Art Institute, San Antonio, Texas, and the Guggenheim Museum (1978). He died in Nice, France, in 1995.
Honorable Mention in the Catalogue/Publication category of institutions with an operating budget over $20 million from the Association of Art Museum Curators (AAMC) and AAMC Foundation’s 2015 Awards for Excellence (Association of Art Museum Curators)
Winner of the 2016 Dedalus Foundation Exhibition Catalogue Award (Dedalus Foundation)
...the catalogue accompanying the exhibition is a lodestone of information about Burri. Not only has Emily Braun, who supervised this exhibition, unearthed a wealth of information, but she has also written a substantial essay, “The Trauma of Painting,” that is wonderfully absent of academic jargon and hyperbole, making it a pleasure to read. (John Yau Hyperallergic)
In a dazzlingly researched, often eloquent catalog essay, Emily Braun, an art historian who oversaw the Guggenheim show, “Alberto Burri: The Trauma of Painting” (and is also curator of the Leonard A. Lauder Collection of Cubist Art), argues that Burri’s art is a crucial, underacknowledged link in the development of collage and assemblage and helped set the stage for a host of postwar art movements—Neo-Dada, Process Art, Arte Povera and more. (Roberta Smith The New York Times)
[Alberto Burri: The Trauma of Painting] reveals how the artist succeeded in deconstructing Western ideologies and, in that process, devised a singular language of his own. (Essential Homme)
Title: Alberto Burri: The Trauma of Painting
Publisher: Guggenheim Museum Publications
Publication Date: 2015
Book Condition: Very Good
Book Description Guggenheim Museum Publications, 2015. Hardcover. Book Condition: As New. In original Publisher's shrinkwrap. Bookseller Inventory # k000315
Book Description Guggenheim Museum Publications. Hardcover. Book Condition: Good. 0892075236 Bumped and creased book with some tearing to the first few pages but not affecting the text block - GOOD. Bookseller Inventory # Z0892075236Z3
Book Description Guggenheim Museum Publications, New York, NY, 2015. Hardcover. Book Condition: Fine. First edition. Quarter cloth over boards, as issued. Creased front free endpaper, else fine. Bookseller Inventory # 001875
Book Description Guggenheim Museum Publications, New York, 2015. 1/4 Cloth Over Boards. Book Condition: Fine. First Edition. 280pp, profusely illustrated in color and b&w. With a bibliography. This is the substantial, lavishly illustrated hardbound catalogue published in conjunction with a 2015 Guggenheim Museum retrospective exhibition of works by the noted late post-war Italian innovator Alberto Burri that subsequently traveled to the Kunstsammlung Nordhein-Westfalen in Dusseldorf. A brand new, most handsome example of the already uncommon English language first edition. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. Artist Monograph. Bookseller Inventory # 025737
Book Description Guggenheim Museum Publications, 2015. Hardcover. Book Condition: Very Good. Great condition with minimal wear, aging, or shelf wear. Bookseller Inventory # P020892075236
Book Description Guggenheim Museum Publications, 2015. Hardcover. Book Condition: Like New. Almost new condition. Bookseller Inventory # P010892075236
Book Description Guggenheim Museum Publications, 2015. Hardcover. Book Condition: New. Never used!. Bookseller Inventory # P110892075236
Book Description Guggenheim Museum Publications, 2015. Hardcover. Book Condition: Good. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May not contain Access Codes or Supplements. Buy with confidence, excellent customer service!. Bookseller Inventory # 0892075236