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Aldo Rossi Architecture 1981-1991

Adjmi, Morris, Ed./with Karen Stein, Diane

6 ratings by Goodreads
ISBN 10: 1878271156 / ISBN 13: 9781878271150
Published by Princeton Architectural Press, Princeton NJ, 1991
Condition: Fine Hardcover
From Bryn Mawr Bookstore (Cambridge, MA, U.S.A.)

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About this Item

300pp. Sky blue cloth with black lettering and elements on front cover and spine; yellowish price sticker residue (1" x 3/4") near top center of inside front cover. Dustwrapper photo-illustrated on front cover with sky backgournd for Rossi "Torri Torri" edifice in foreground. Light crease to inner front panel of d/w. Else fine . No previous owner names. Will need extra postage. Size: Folio - over 12" - 15" tall. Bookseller Inventory # 003994

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Bibliographic Details

Title: Aldo Rossi Architecture 1981-1991

Publisher: Princeton Architectural Press, Princeton NJ

Publication Date: 1991

Binding: Hardcover

Book Condition: Fine

Dust Jacket Condition: Near Fine

Edition: First Edition, 2nd Printing.

About this title

Synopsis:

Winner of the 1990 Pritzker Architecture Prize, Aldo Rossi gained international recognition as a practicing architect, artist, and theorist. Rossis' projects in the decade 1981-1991 are collected in this award-winning book: it received an AIA International Book Award in 1992; and Honorable Mention for graphic design in ID magazine, and a Certificate of Merit from the Printing Industry of America.

Among the 61 works presented are Il Palazzo Hotel, Fukuoka, Japan; German History Museum, Berlin; San Carlo alla Barona Church, Milan; and Office Complex for Disney, Orlando. Karen Stein's descriptive texts and afterword are accompanied by introductions by Morris Adjmi and Diane Ghirardo and an essay by Aldo Rossi. Also included is a complete project chronology and bibliography.

Review:

Aldo Rossi: Architecture 1981-1991 is a vivid and timely survey of recent buildings, projects, and drawing--Rossi's way with pencil and paint is renowned--by the Italian theorist turned superstar. Rossi's work is distinguished by depth of feeling and stark simplicity, neither disallowing gaiety. -- Adele Freedman, Toronto Globe and Mail

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