0300053584 Lacks dustjacket, otherwise pristine. Bookseller Inventory #
Synopsis: The painting and carving of altarpieces was one of the most important and characteristic tasks of Italian Renaissance artists. This book focuses on Venice from 1450 to 1530. Peter Humfrey, an authority on Venetian painting, explores a wide range of issues surrounding altarpieces as an art form. These include the traditions of decoration of Venetian churches, the sacred and secular functions that altarpieces were expected to perform, the market for altarpieces, and the professional world of the Venetian artist. He discusses altarpieces by Bellini, Cima, the three Vivarini, and the young Titian, as well as by numerous other painters and sculptors of the period. A central theme of the book is the relation between the altarpieces and their original physical and liturgical context. Throughout, Humfrey tries to reintegrate altarpieces with their intended settings, both for the sake of recapturing their full visual effect and as a basis for examining the ideological relationship between their subject matter and the altar table below. He also examines the complex mixture of motives, worldly as well as pious, that prompted 15th-century Venetians to spend large sums of money on commissioning altarpieces for the churches of their city. The first part of the book is thematic, dealing with the making, placement, and function of the altarpiece. The second part is a chronological discussion of specific works, focusing on the ways in which the artists met challenges posed by specific commissions. An appendix to the book gives further factual and bibliographical information about 100 major Venetian altarpieces of the period.
From Library Journal:
Belatedly introduced to Venice, the Renaissance style engendered an extraordinary efflorescence of art there. Humfrey's ( The Altarpiece in the Renaissance , Cambridge Univ. Pr., 1991) lavishly illustrated, richly textured investigation is the first comprehensive consideration of the painted and carved altarpieces produced in the city between 1450 and 1530. The genre's development is incisively analyzed in terms of the religious and social requirements that impinged upon it. Other critical factors that influenced the works, such as patronage, physical settings, and the professional concerns of the artists, are also carefully elaborated. This multifaceted contextual embrace is complemented by thorough historical, formal, and iconographic discussions of individual objects. Not only will this superb synthesis provide a firm foundation for future study, it should also serve as a methodological exemplar for the discipline.
- Robert Cahn, Fashion Inst. of Technology, New York
Copyright 1993 Reed Business Information, Inc.
Title: The Altarpiece in Renaissance Venice
Publisher: Yale University Press
Book Condition: Very Good
Book Description Yale University Press, 1993. Hardcover. Condition: Used: Very Good. Folio (29 x 25 cm), 382 pp. Lavishly illustrated in color and black & white. Red cloth. From private collection of Boston-area art historian. Name printed in pencil on half-title page. Pages remain clean and bright; binding, tight. In clean dust jacket. Seller Inventory # 180325003
Book Description Yale University Press, 1993. Hardcover. Condition: very good+/very good+. Quarto. 382pp A very nice copy in an equally nice dust jacket. In a brodart protective wrapper. Seller Inventory # 47687
Book Description Yale University Press, 1993. Condition: Good. A+ Customer service! Satisfaction Guaranteed! Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. Seller Inventory # 0300053584-2-4
Book Description Yale University Press, c.1993, 1993. hardcover, Condition: Good, Yale University Press, c.1993, 1st., 10"x11-1/2", cloth, 382pp. illusts., ex-lib.- spine label, pocket, stamps, G $. Seller Inventory # 78154
Book Description Yale University Press, 1993. Hardcover. Condition: Fine. Dust Jacket Condition: fine. Mylar covered dust jacket with a slight scuff to top edge. No markings. Professional booksellers since 1994. Satisfaction guaranteed. Seller Inventory # 015838
Book Description Yale University Press. Condition: Used - Very Good. 1993. Cloth, dj., 4to., 382 pp., illus. Minor rubbing to dj. Seller Inventory # S56995
Book Description Yale University Press 1993-07-28, 1993. Hardcover. Condition: good. 0300053584. Seller Inventory # 578288
Book Description Yale University Press, 1993. Hardcover with dustjacket in flimsy cardboard shipping slipcase, 382 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra. Seller Inventory # ThHuYa100
Book Description Yale University Press, 1993. Hardcover. Condition: Very Good. Great condition with minimal wear, aging, or shelf wear. Seller Inventory # P020300053584
Book Description Yale University Press, 1993. Hardcover. Condition: Like New. Almost new condition. Seller Inventory # P010300053584