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American Rose

Karen Abbott

3,077 ratings by Goodreads
ISBN 10: 1400066913 / ISBN 13: 9781400066919
Published by Random House, 2010
Condition: Fine Hardcover
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About this Item

Fine copy in like jacket.First Edition. Biography of Gypsy Rose Lee. Signed on Title-page by Abbott. Beautiful copy. Bookseller Inventory # 009163

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Bibliographic Details

Title: American Rose

Publisher: Random House

Publication Date: 2010

Binding: Cloth

Book Condition:Fine

Dust Jacket Condition: Fine

Signed: Signed by Author(s)

Edition: First Edition

About this title

Synopsis:

2010, hardcover edition, Random House, NY. 425 pages. Vintage photos throughout. Here is a brilliant, carefully written biography of a unique woman who emerged from the Roaring 20's and became a bawdy, famous stripper (Gypsy Rose Lee), who later was successful in theatres, clubs, and Hollywood. Her sister, actress June Havoc, is here, along with Houdini, F.D.R., Fanny Brice, and a few gangsters. An oustanding book. "... history the way it ought to be written."

Review:

A Letter from Author Karen Abbott

My grandmother used to tell me stories about growing up during the Great Depression, and she once related a tale about a cousin who saw Gypsy Rose Lee perform in 1935. “She took a full fifteen minutes to peel off a single glove,” the cousin said, “and she was so damned good at it I would’ve gladly given her fifteen more.” This story got me thinking: who was Gypsy Rose Lee? And how did an awkward girl named Louise Hovick become her? I spent three years researching the answer, research that included connecting with Gypsy’s late sister, the actress June Havoc; I was the last person to interview her.

When I arrived at June’s Connecticut farm I found her lying in bed, her hair done up in pert white pigtails. She was ninety-four years old, give or take, and the legs that once danced on stages across the country were now motionless, two nearly imperceptible bumps tucked beneath crisp white sheets. Her eyes were a bold shade of blue and painfully sensitive to light. She told me the musical Gypsy distorted her childhood so thoroughly it was as if “I didn’t own me anymore.” She realized her sister was “screwing me out in public,” and that, in the end, there was no stopping either Gypsy or Gypsy; the play was both her sister’s monument and her best chance for monumental revisionism.

It took another visit for June to share more personal memories: money was Gypsy’s “god,” and she would do anything to anybody, including June, to make more of it. Gypsy did in fact do things, not only to June but also to herself—“terrible” and “awful” and “shocking” things, things beneath her sister’s formidable intellect and keen wit, things that made June believe, to that day, that love (even love fraught with competition and jealousy) never existed between them at all.

I asked and listened, for as much time as June gave me. I asked until her patience wore thin and her eyes watered with the effort to stay open.

“I hope I didn’t upset you today,” I whispered. “That’s not my intention.”

“I know,” June said. Those startling eyes found their focus, settling on mine. “I’m sorry I couldn’t be more open about some things... I’m still ashamed for her. I wish they hadn’t happened.”

“Would Gypsy wish the same?” I asked.

“She had no shame.”

A pause, and I said, feebly, “You were a good sister to her.”

A hand tunneled out from the sheet. She coiled long, blade-thin fingers around my wrist.

“I was no sister,” June said. “I was a knot in her life. I was nothing.”

She retracted her hand, gave her eyes permission to close. I kissed her cheek and crept out the bedroom door. I was grateful she let me inside—even on the periphery, even briefly¬—and I suspected she was saving her own questions for the day she reunited with the sister she did profess to love, the one she still called Louise.

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