Only lightly used. Book has minimal wear to cover and binding. A few pages may have small creases and minimal underlining. Bookseller Inventory #
Synopsis: The cloister of San Marco was the home of on e of the greatest Renaissance painters, Fra Angelico. Betwee n 1440 and 1452, he and his assistants covered the entire co mplex with over 50 frescoes, designed within the traditions of the Dominican order. '
From Library Journal:
Fra Angelico, a Dominican monk, covered the walls of the Church of San Marco in Florence with elegant frescoes from 1440 to 1452. These two books treat those paintings in different ways, adding to their mystery and reality. Hood's presentation in Braziller's series provides a basis for understanding the paintings and the artist who produced them. In this two-part book, the introductory first part is divided into four sections, covering the architecture of the church and cloister; biographical background on the artist; information on the frescoes and their placement, which reveal the political climate of the day; and Fra Angelico's virtuosity and technical ability. The second part contains full-page color plates and commentaries on the frescoes. Hood acknowledges that French scholar Didi-Huberman was the first to apply medieval and Renaissance scholastic thought to analysis of the San Marco frescoes. Didi-Huberman uses the frescoes as a starting point to discuss how they conjure up philosophical and theological questions from holy scripture and authors such as Albertus Magnus, St. Augustine, St. Thomas Aquinas, etc., that Fra Angelico, as an observant, 15th-century Dominican friar, would have known and meditated on daily. Angelico's access to the prestigious library at San Marco provided a wealth of texts that would have been integral to the thinking of that community and contributed to the knowledge used in the production of the frescoes. This translation is difficult reading, with many Latin words and phrases. Readers who would like a less densely written account of the paintings in their historical context might consult Hood's unique work Fra Angelico at San Marco (LJ 6/15/93), which discusses the meaning of Dominican life at San Marco and its influence on choice of subject matter in the frescoes. Didi-Huberman can be appreciated by the medieval and Renaissance scholar, philosopher, or theologian and is recommended for special collections. Hood appeals to a wider audience of travelers and lay readers, as well as art historians and students, and is recommended for special and public collections.?Ellen Bates, New York
Copyright 1996 Reed Business Information, Inc.
Title: Fra Angelico: San Marco, Florence (The Great...
Publisher: George Braziller
Book Condition: Good
Book Description George Braziller, 1995. Hardcover. Book Condition: Used: Very Good. Ex-library with usual stamps and stickers. Looks as though it was rarely circulated. Bookseller Inventory # BURA8-245m
Book Description George Braziller, 1995. Hardcover. Book Condition: Used: Good. Bookseller Inventory # SONG0807613932
Book Description George Braziller, 1995. HRD. Book Condition: Good. Hardcover, tan and light stains on pages, fade on spine. Bookseller Inventory # 89753
Book Description George Braziller 1995-10, 1995. Hardcover. Book Condition: good. 0807613932. Bookseller Inventory # 721957
Book Description Book Condition: Very Good. Book Condition: Very Good. Bookseller Inventory # 97808076139313.0
Book Description George Braziller, 1995. Hardcover. Book Condition: Very Good. Bookseller Inventory # P020807613932
Book Description George Braziller. Hardcover. Book Condition: New. 0807613932 New Condition. Bookseller Inventory # NEW6.0472890
Book Description George Braziller. Hardcover. Book Condition: Fine. 0807613932 Like New Condition. Bookseller Inventory # LN6.0472890
Book Description George Braziller, 1995. Hardcover. Book Condition: Like New. Bookseller Inventory # P010807613932
Book Description George Braziller, 1995. Hardcover. Book Condition: New. Bookseller Inventory # P110807613932