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Anil's Ghost

Ondaatje, Michael

12,661 ratings by Goodreads
ISBN 10: 074754865X / ISBN 13: 9780747548652
Published by Bloomsbury, London, 2000
Condition: Near Fine Hardcover
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About this Item

First British Edition, First Printing. Signed by the author on the title page and dated "20-0". Cover boards are clean, dust jacket has no stains or tears, price intact on flap, in mylar sleeve. Interior pages are unmarked. Binding is solid. Publisher's attached black ribbon bookmark is intact. The author's fourth novel and the first appearance of the title in the United Kingdom. Bookseller Inventory # 003210

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Bibliographic Details

Title: Anil's Ghost

Publisher: Bloomsbury, London

Publication Date: 2000

Binding: Hardcover

Book Condition: Near Fine

Dust Jacket Condition: Near Fine

Signed: Signed by Author(s)

Edition: 1st Edition

About this title

Synopsis:

A novel by the Booker Prize-Winning author of "The English Patient". The result is a disturbing and timeless revelatory journey.

Review:

In his Booker Prize-winning third novel, The English Patient, Michael Ondaatje explored the nature of love and betrayal in wartime. His fourth, Anil's Ghost, is also set during a war, but unlike in World War II, the enemy is difficult to identify in the bloody sectarian upheaval that ripped Sri Lanka apart in the 1980s and '90s. The protagonist, Anil Tissera, a native Sri Lankan, left her homeland at 18 and returns to it 15 years later only as part of an international human rights fact-finding mission. In the intervening years she has become a forensic anthropologist--a career that has landed her in the killing fields of Central America, digging up the victims of Guatemala's dirty war. Now she's come to Sri Lanka on a similar quest. But as she soon learns, there are fundamental differences between her previous assignment and this one:

The bodies turn up weekly now. The height of the terror was 'eighty-eight and 'eighty-nine, but of course it was going on long before that. Every side was killing and hiding the evidence. Every side. This is an unofficial war, no one wants to alienate the foreign powers. So it's secret gangs and squads. Not like Central America. The government was not the only one doing the killing.
In such a situation, it's difficult to know who to trust. Anil's colleague is one Sarath Diyasena, a Sri Lankan archaeologist whose political affiliations, if any, are murky. Together they uncover evidence of a government-sponsored murder in the shape of a skeleton they nickname Sailor. But as Anil begins her investigation into the events surrounding Sailor's death, she finds herself caught in a web of politics, paranoia, and tragedy.

Like its predecessor, the novel explores that territory where the personal and the political intersect in the fulcrum of war. Its style, though, is more straightforward, less densely poetical. While many of Ondaatje's literary trademarks are present--frequent shifts in time, almost hallucinatory imagery, the gradual interweaving of characters' pasts with the present--the prose here is more accessible. This is not to say that the author has forgotten his poetic roots; subtle, evocative images abound. Consider, for example, this description of Anil at the end of the day, standing in a pool of water, "her toes among the white petals, her arms folded as she undressed the day, removing layers of events and incidents so they would no longer be within her." In Anil's Ghost Michael Ondaatje has crafted both a brutal examination of internecine warfare and an enduring meditation on identity, loyalty, and the unbreakable hold the past exerts over the present. --Alix Wilber

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