Title: Annie Leibovitz: Photographs, 1970-1990
Publisher: HarperCollins, NY
Publication Date: 1991
Binding: Pictorial Cloth
Illustrator: Photo Illus. in Color & B&W
Book Condition: Fine
Dust Jacket Condition: Fine
Edition: First Edition
Book Type: Photography
232pp. Brown/white/black pictorial cloth. Stated 1st Ed. with complete number line. Tight, square, bright copy with firm corners. No remainder mark. No internal names, notes or markings. Crisp, unclipped pictorial DJ in Mylar cover ($60.00). Photo illus. in color & b&w. Very representative of Leibovitz's interests - People, People, Places, Events. EXTRA SHIPPING FOR INTERNATIONAL ORDERS BY PRIORITY INTERNATIONAL ONLY - Cost to be determined. Probably too large to fit into a Flat Rate box. USPS Tracking provided. (H) Size: Folio - over 12" - 15" tall. Bookseller Inventory # 17354
Synopsis: From Personal Private Collection. 1991 First Edition stated. Has no creases or marks on cover, spine as 1 dent on spine. Binding is good and tight, pages are clean and intact, No shelve wear on cover. No writing inside book. DJ has bumps on corners and 1 tear on front & 1 on back at top of spine. The book itself is in excellent condition. Not a library book, If you would like a pic just let me know.
From Library Journal:
Star photographer of Rolling Stone , Vanity Fair , and numerous other magazines since the Seventies, Leibovitz here offers a retrospective that shows how far she has come. The early photographs have a documentary feel, even recalling Evans's Depression-era photography or Arbus's sense of the grotesque. They can seem cluttered, but in fact present the right amount of information without feeling posed. The later photographs are cleaner, clearer, and often in color. Props are used effectively to extend the subject's image: Keith Haring painted with the black-and-white abstractions he favored; Christo wrapped; David Lynch with turtleneck up to the hairline; Sting caked in mud: Clint Eastwood tied up; a shot of Pele's soccer-battered feet. These photographs simultaneously exploit each luminary's image while allowing them a certain privacy because they are playing along with the photographer. Ingrid Sishchy's introductory interview gets to the heart of Leibovitz's working methods and concerns. A book for popular collections that also offers cultural insight.
-Barbara Hoffert, "Library Journal"
Copyright 1991 Reed Business Information, Inc.
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