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The Art of David Ireland: The Way Things Are.

Karen Tsujimoto and Jennifer R. Gross

5 ratings by Goodreads
ISBN 10: 0520240464 / ISBN 13: 9780520240469
Published by University of California Press, Berkeley, CA, 2003
Condition: As New Soft cover
From art longwood books (Rockport, MA, U.S.A.)

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About this Item

softcover with flaps., no flaws, very fine.; review copy with publisher's material laid-in.; xvpp., 229pp., "over 140 color and b/w images".; contains essays by both authors, reference material. Size: 4to - over 9¾" - 12" tall. Bookseller Inventory # 4196

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Bibliographic Details

Title: The Art of David Ireland: The Way Things Are...

Publisher: University of California Press, Berkeley, CA

Publication Date: 2003

Binding: Soft Cover

Book Condition:As New

Dust Jacket Condition: No Jacket, as Issued

Edition: First Softcover Edition.

Book Type: Exhibition Catalogue

About this title

Synopsis:

Widely recognized as one of the West Coast's most important and critically acclaimed practitioners of conceptual and installation art, David Ireland (born 1930) has taken the concept of art itself as one of his subjects. A self-described "post-discipline" artist, guided by Zen thought and postmodern aesthetics, Ireland moves fluidly from making small drawings to creating sculptures as large as houses. Freely incorporating anything within his conceptual or physical reach―dirt, concrete, wire, and other everyday materials―his work is subtle, puzzling, and witty, and consistently challenges traditional definitions of art.

In this book accompanying the first full-scale retrospective of Ireland's work, curator and author Karen Tsujimoto provides an insightful overview of more than thirty years of the artist's accomplishments, from his drawings, sculptures, and site-specific installations to his remarkable series of architectural transformations, including his well-known house at 500 Capp Street in San Francisco. Chronicling Ireland's circuitous route to his calling, Tsujimoto explores how key life experiences have influenced his artistic perspective―from his early art-student days, through his years as an African importer and safari guide, to his long-standing interest in Eastern, and particularly Zen, philosophy and his deep connections with the San Francisco Bay Area conceptual art community. An illuminating essay by art historian and curator Jennifer R. Gross also considers Ireland's art in terms of historical materialism―assessing his use of neglected materials and artifacts as a process of cultural preservation.

From the Back Cover:

"David Ireland is an extraordinary artist who has played a pivotal role in the art of the Bay Area for three decades. His approach to art making continues to push the definitions of art and to influence a generation of artists. This important monograph is long overdue and contributes to many discussions regarding contemporary art production."--Jeff Fleming, Senior Curator of the Des Moines Art Center

"Like a great naturalist who sees life in the landscape when others see only trees, David Ireland has an uncanny ability to find art in forgotten histories and castoff materials. His work is subtle, beautiful, and as lean as Haiku. This insightful survey of the artist's work and life is much needed, and a revelation."--Richard Andrews, Director, Henry Art Gallery, University of Washington

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