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Art and Otherness: Crisis in Cultural Identity (Documentext)

McEvilley, Thomas

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ISBN 10: 0929701216 / ISBN 13: 9780929701219
Published by Documentext, 1996
Used Condition: Very Good Hardcover
From Riverby Books (Fredericksburg, VA, U.S.A.)

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About this Item

Hardcover with dust jacket. Bound in black cloth boards with gold lettering on the spine. 174 pages. No date on title page. Copyright page dated 1996. Book is in good condition. The boards and binding are firm and sound. The pages are clean. DJ in very good condition and free of bumps or tears. Bookseller Inventory # 8-1896

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Bibliographic Details

Title: Art and Otherness: Crisis in Cultural ...

Publisher: Documentext

Publication Date: 1996

Binding: Hardcover

Book Condition:Very Good

Dust Jacket Condition: Very Good

About this title

Synopsis:

Directly following the internationally acclaimed Art & Discontent, Thomas McEvilley argues in Art & Otherness for an advanced anthropological perspective that contravenes conventional thinking in the visual arts, and leads to a concept of artistic globalization. The description of Western culture as superior and in opposition to other cultures of the world preoccupied our aesthetic philosophy for at least 200 years, whether or not explicitly stated. That argument was undertaken in various guises, especially as the historical determinism of Hegel which proposed to quantify human "progress." Recently, however, the term "multiculturalism" has come to signify a post-Modern understanding of how visual arts transgress artificial boundaries, and of how there may now exist, perhaps for the first time in history, a post-colonial globalism in the arts freed of ethnocentric value judgements. In these ten crucial essays, McEvilley clarifies how the presentation of art can determine its reception, how "influence" can be bi-directional, how "otherness" serves to define "self," and how art need not necessarily lose its meaningfulness when stripped of badges of universality. Once again illustrating his argument by drawing upon an array of sources and cultures, Thomas McEvilley demonstrates that the post-Modern crisis in cultural identity demands an imaginative, integrating response.

About the Author:

Thomas McEvilley received a Ph.D. in Classics from the University of Cincinnati and taught at Rice University from 1969 to 2005. He has written hundreds of articles, catalogue essays, and reviews in the field of contemporary art, as well as important monographs on Yves Klein, Jannis Kounellis, Anish Kapoor, among others. A contributing editor to Artforum since 1982, he has also served as editor-in-chief of Contemoranea. Author of three published novels, most recently the controversial North of Yesterday (also with McPherson & Company), he has published a book of poems and made various contributions to literary magazines. In addition to a fourth novel in progress, Dr. McEvilley recently published The Shape of Ancient Thought: A Comparative Study of Greek and Indian Philosophies, and The Triumph of Anti-Art: Conceptual and Performance Art in the Formation of Post-Modernism.

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