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THE BLACK BROOK.

Drury, Tom.

ISBN 10: 0395701945 / ISBN 13: 9780395701942
Published by HOUGHTON,MIFFLIN & CO. BOSTON 1998, 1998
Condition: Fine Hardcover
From WAVERLEY BOOKS ABAA (Santa Monica, CA, U.S.A.)

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About this Item

SIGNED by Tom Drury on the title page. Fine in a fine dj. Author's well received SECOND novel.; Signed by Author(s). Bookseller Inventory # 3439

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Bibliographic Details

Title: THE BLACK BROOK.

Publisher: HOUGHTON,MIFFLIN & CO. BOSTON 1998

Publication Date: 1998

Binding: Hardcover

Book Condition:Fine

Dust Jacket Condition: Dust Jacket Included

Signed: Signed by Author(s)

Edition: First Edition.

About this title

Synopsis:

"It was a dry, dusty summer day in New Hampshire. Paul and Mary Emmons were having lunch in a diner called Happy's when Mary happened to notice a dog in a car in the parking lot with his head turned upside down." Thus begins the strange and captivating saga of Paul Nash, a.k.a. Paul Emmons, a fallen accountant whose inadvisable return to New England, the region of his crimes, sets the stage for this darkly comic novel of love, death, guilt, redemption, and the various forms of clam chowder. More than a dog's head gets turned upside down in the course of Paul's transatlantic misadventures, as gangsters analyze the work of John Singer Sargent, a ghostly swimmer speaks in a lost language of household hints from 1929, and a mysterious maroon van gets the last word. Through it all Paul strives to find and accomplish his mission in life, and myriad characters contrive to tell their stories - of unkept promises, nightmarish evenings, identities lost and found.

Review:

There is certainly no disputing the fact that "serious" contemporary fiction has valid things to say about "real life," but the worth of the ludicrous has perhaps been undervalued in modern literature as of late. If television can explore our psyches with one-armed men and dancing dwarves, and if the film industry can claim the Coen Brothers (not to mention the Farrellys) among its ranks, can't the written word itself share in the meaningful silliness? Yeah sure, you betcha. Welcome to The Black Brook and the world of Tom Drury. Fargo lite, if you will. A kinder, gentler Twin Peaks. Here, modern life is not only accepted but embraced in all its gloriously weird complexity as the author cranks up the weirdometer and opts for an anything-goes narrative suffused with breezy humor.

In 1989 in Rhode Island, accountant Paul Nash and his wife reached for the easy money, and when they fell, it seemed like they might never stop: in trouble with the law, out of the local crime syndicate's good graces, and into the arms of the Witness Relocation Program. Here they were baptized Paul and Mary Emmons, managers of a small country inn in Belgium. New name or not, Paul eventually fails to escape the lure of his past and soon finds himself leaving his wife to return to rural Connecticut. Quickly securing not only a newspaper swing shift but also the affections of his ex-best-friend's wife, he somehow finds time to investigate not only the sudden disappearance of a local creek but also the checkered history of a sexy ghost, all the while barely eluding the attentions of a few grudge-bearing Mafiosi.

Drury's first fiction, The End of Vandalism, has been compared to murals from the Works Progress Administration era. Anywhere you look, something interesting is afoot. And the representational link persists in The Black Brook, whose title springs from a moody John Singer Sargent painting. But this novel shares a certain kinship with Jackson Pollock's infinitely tangled webs of paint--amid the chaos, there is some sort of divine order, though one that resists pat explanation. It's either that or the 300 pages of belly laughs you've just endured that accounts for your breathless sigh when you hit the final paragraph. --Bob Michaels

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