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Behind Closed Doors: The Art of Hans Bellmer

Lichtenstein, Therese

25 ratings by Goodreads
ISBN 10: 0520209842 / ISBN 13: 9780520209848
Published by Berkeley: University of California Press, 2001, 2001
Used Condition: Very Good Hardcover
From Atlantic Bookshop (Brooklyn, NY, U.S.A.)

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About this Item

8vo, illustrated cloth binding, dustwrapper, xii + 254pp., frontis. + 59 ills. First edition, first printing. VG+/VG: clean and sound book with one small spot to the fore-edge; whole dustwrapper with a touch of soiling to the rear panel. Bookseller Inventory # ATLHB4417

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Bibliographic Details

Title: Behind Closed Doors: The Art of Hans Bellmer

Publisher: Berkeley: University of California Press, 2001

Publication Date: 2001

Binding: Hardcover

Book Condition:Very Good

Dust Jacket Condition: Very Good

Edition: 1st Edition

About this title

Synopsis:

The life-size, adolescent-girl dolls created by German artist Hans Bellmer in the 1930s are the subject of Therese Lichtenstein's highly original book. Disturbing and controversial, Bellmer's dolls—with their uncanny, fragmented bodies and eroticized poses—were just as shocking during Bellmer's time as they are today. Until now there has been little available in English about Bellmer's dolls, and Lichtenstein's book will be welcomed for its fresh interpretation of the artist's work and his place in European modernism. Eighty striking photographs accompany the text.

Working during a time when Nazism was on the rise, Bellmer created several dolls with fragmented bodies that could be dismantled and arranged in various configurations. Using a narrative format, he then photographed the dolls in a range of grotesque—often sexual—positions. The images he conveyed were of death and decay, abuse and longing, in stark contrast to Nazism's mythic utopian celebration of adolescence.

Lichtenstein interprets Bellmer's complex expressions of eroticism as a protest against the Nazis and also against his father, a cold and repressive Nazi sympathizer. At the same time, she says, by hyperbolically flaunting a passive femininity in a theatrical manner, Bellmer's images allow us to consider how cultural representations can affect the formation of identity and alternative possibilities.

From the Inside Flap:

"Behind Closed Doors reveals the complex structure behind these photographs of violated female adolescence, a structure in which sadism, masochism, hermaphroditism, fetishism, utopianism, and nostalgia all play a role. Above all, Lichtenstein's study makes clear the political aspect of these transgressive images: the way in which they served to question and undermine the contemporary authoritarian Nazi image of sexual 'normalcy' by recourse to a violent return of the repressed."—Linda Nochlin, author of Representing Women

"Behind Closed Doors: The Art of Hans Bellmer is a compelling gathering of the narratives around psychoanalysis, visual culture, biology, and gender. Therese Lichtenstein rigorously examines Bellmer's picturing of the body as the site of desire, confusion, and sudden disaster, and in doing so produces a telling tale of history's secrets and lies."—Barbara Kruger, artist and author of Thinking of You

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