NY: New Riders, 2004. Soft cover. First Edition; First Printing (complete number line). SIGNED and presented by both Charles Koppelman and Walter Murch. The interior is crisp and clean, with no marks or signs of previous use. The covers are fresh, with showing little wear. Book condition: as new. Bookseller Inventory #
The first volume to reveal the post-production process of a major motion picture (Cold Mountain) edited entirely in Final Cut Pro!
As the first software-only desktop nonlinear editing system, Final Cut Pro sat the film industry on its ear when it debuted back in 1999. Now it's shaking things up again as editor Walter Murch, director Anthony Minghella, and a long list of Hollywood heavy-hitters are proving that this under-$1,000 software can (and should) be used to edit a multi-million dollar motion picture! This book tells the story of that endeavor: the decision to use Final Cut Pro, the relationship between the technology and art (and craft) of movie-making, how Final Cut Pro was set up and configured for Cold Mountain, how the software's use affected the work flow, and its implications for the future of filmmaking. More than anything, however, this is Murch's own story of what seemed to many a crazy endeavor-- told through photos, journal entries, email musings, and anecdotes that give readers an inside view of what the film editor does and how this particular film progressed through post-production. The book includes, in his own words, Murch's vision, approach, and thoughts on storytelling as he shapes Cold Mountain under the intense pressures of completing a major studio film.
With Academy Awards for his work on Apocalypse Now and The English Patient, sound and film editor Walter Murch is one of the few universally acknowledged editing masters in cinema. Along with George Lucas and Francis Ford Coppola, he is one of the founding members of the Northern California cinema community. Author Charles Koppelman has been writing screenplays and directing video and film since the early 1980s, including the independent feature film, Dumbarton Bridge, award-winning documentaries, and commercials.
"An exploration inside the editorial engine-room of a major feature film - the first book of its kind ever and sure to remain the best. Charles Koppelman chronicles Walter Murch's astonishing high-wire trapeze act as he works his way through the first large-scale implementation of Apple's Final Cut Pro editing software. Must be read by anyone interested in film, computers, or how the creative process unfolds." -- Francis Ford Coppola, director of The Conversation, The Godfather, Apocalypse Now
"This is probably the subtlest and most tender account of what a craftsman brings to a motion picture ever written. It is fascinating in its detail and awesome in its gradual uncovering of the ear, the eye and the soul of Walter Murch. The book may seem technical, or 'professional,' but any reader will be thrilled by the description of a struggle and the necessary commitment to it. To be read by anyone who has ever thought it might be fun to make a movie." -- David Thomson, film critic and author of The Biographical Dictionary
"BEHIND THE SEEN is not only revelatory in terms of technical innovation, but it reads like a thrilling suspense novel. Superbly written and paced, the book captures the brilliant and daring film/sound editor-scientist Walter Murch in all his passionate and creative glory. Charles Koppelman has crafted a truly unique addition to the canon of film history, delivering a must-read for anyone interested in how movies are made." --Barry Gifford, author of Wild at Heart, Lost Highway and City of Ghosts
"... excellent, original and tremendously informative book... Koppelman's account reads like a thriller... Behind the Seen achieves something remarkable: a chronicle about technology and data, machines and methodologies which also manages to record a story of friendships and dreams-not least the dreams I have been lucky enough to share with my friend and editor over three films and for almost a decade." --from the book's foreword by Anthony Minghella, writer and director of Cold Mountain, The English Patient, and The Talented Mr. Ripley
Review: Cold Mountain, the recent film based on the Charles Frazier novel, is a love story set during the American Civil War. Behind the Seen, being the story of how accomplished film editor Walter Murch (of Apocalypse Now fame), is also a story of love in a time of internal conflict. The difference being that Behind the Seen has to do with how Murch used Final Cut Pro, a software package that runs on any modern Macintosh and costs less than $1000, to edit Cold Mountain and thereby incite debate among professional film editors. Can such a mass-market product, accessible to anyone with a camcorder and a FireWire cable, be a serious tool for professionals? Murch proved that it can.
Behind the Seen deals with the technical accomplishment of using Final Cut Pro to assemble a feature film, but more importantly explains to its readers how shooting and editing work--and how the personalities involved in Cold Mountain worked together. This is a book of nonfiction that you can read from beginning to end; it is a technical book but not in the click-and-drag sense. Rather, it's a story about a creative team and the tools they used to deliver a work of drama. --David Wall
Topics covered: How Cold Mountain was shot and edited, using Final Cut Pro as the principal editing suite.
Title: Behind the Seen: How Walter Murch Edited ...
Binding: Soft cover
Book Condition: As New
Edition: 1st Edition
Book Description New Riders Press. PAPERBACK. Book Condition: Very Good. 0735714266 Item in very good condition and at a great price! Textbooks may not include supplemental items i.e. CDs, access codes etc. Bookseller Inventory # Z0735714266Z2
Book Description New Riders Publishing. Paperback. Book Condition: Fair. Bookseller Inventory # G0735714266I5N00
Book Description New Riders Press. Book Condition: Acceptable. 2004 - Paperback - Used - Acceptable - - - - Shows substantial shelf-wear which may include some chips and tears on dust jacket (if present) and some yellowing of the pages. May contain old price stickers or their residue, inscriptions or dedications from previous owners in first few pages and remainder marks. - Hall Street Books proudly ships from Brooklyn, NY. All orders are processed and shipped within 24 business hours, Sunday - Thursday. Expedited shipping and tracking available within the US. Hall Street's No-Worry guarantee lets you buy with confidence!. Bookseller Inventory # NN-14-5-0119
Book Description Paperback. Book Condition: Very Good. 1. Bookseller Inventory # P-149-125
Book Description Paperback. Book Condition: Very Good. 1. Bookseller Inventory # S-576-08
Book Description New Riders Press. PAPERBACK. Book Condition: Fine. 0735714266 American first edition, first printing. Contains number line 1 2 3 4 5 6 7 8 9 10. Virtually no wear to covers. The book itself is in Near Fine condition. The binding is straight and tight. No remainder mark.All of our books are marked down 40% until October 1, 2017 (Discount is already applied). Start loading up now!. Bookseller Inventory # SKU1014118
Book Description New Riders Press, Berkeley, CA, 2004. Paperback. Book Condition: Fine. 1st. xiii, 348 pages, illustrations; 25 cm. Firm binding, clean inside copy. A fine copy of the first printing. Size: 4to - over 9¾" - 12" tall. Collectible. Bookseller Inventory # 079280
Book Description New Riders Press, 2004. Paperback. Book Condition: Used: Good. Bookseller Inventory # SONG0735714266
Book Description PEARSON INDIANA, United States, 2004. Trade Paperback. Book Condition: Good. TRADE PAPERBACK Legendary independent bookstore online since 1994. Reliable customer service and no-hassle return policy. Used. Book: USED, Good. Bookseller Inventory # 01978073571426704. Bookseller Inventory # 01978073571426704
Book Description New Riders Press, 2004. Paperback. Book Condition: Used: Good. Bookseller Inventory # 14835649