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The Best American Short Stories of the Century

Katrina Kenison

2,008 ratings by Goodreads
ISBN 10: 0395843685 / ISBN 13: 9780395843680
Published by Houghton Mifflin, 1999
Condition: Fine Hardcover
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Fine copy in like jacket.Numberline Starting with 2.Signed by Tim O'Brien,Joyce Carol Oates and E. Annie Proulx. Excellent Fresh Beautiful Copy. $28.00 on flap. Large Volume. Bookseller Inventory # 007970

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Bibliographic Details

Title: The Best American Short Stories of the ...

Publisher: Houghton Mifflin

Publication Date: 1999

Binding: Cloth

Book Condition:Fine

Dust Jacket Condition: Fine

Signed: Signed by Author(s)

Edition: Second Edition

About this title

Synopsis:

The Best American Short Stories of the Century John Updike Edition Katrina Kenison co-editor (Houghton Mifflin Co., 1999). 55 extraordinary stories chosen by John Updike & Katrina Kenison that represent a century's worth of unsurpassed accomplishments in American literature. A spectacular tapestry of provocative, wonderful literature that makes a persuasive argument for the 20th century being the golden age of American short fiction. A great bedisde companion. Some of the great writers you'll enjoy are: ROBERT PENN WARREN / ERNEST HEMINGWAY / E.B. WHITE / WILLA CATHER / RICHARD WRIGHT / THOM JONES / JOYCE CAROL OATES / JOHN CHEEVER / ISAAC BASHEVIS SINGER / SAUL BELLOWS LORRIE MOORE and much more. Excellent reading.

Review:

At age 67, the perennially youthful John Updike may at last qualify as something of an elder statesman. But the Best American Short Stories annual--whose greatest hits package Updike has now assembled--is almost a generation older, having commenced publication in 1915. This staying power allows the hefty Best American Short Stories of the Century to perform double duty. It is, on the one hand, a priceless compendium of American manners and morals--a decade-by-decade survey of how we lived then, and how we live now. Yet Updike very consciously avoided the sociological angle in making his selection. "I tried not to select stories because they illustrated a theme or portion of the national experience," he writes in his introduction, "but because they struck me as lively, beautiful, believable, and, in the human news they brought, important." In this he succeeded: the 55 fictions that made the grade are most notable for their human (rather than merely historical) interest.

So who got in? There are a good number of cut-and-dried classics here, including Hemingway's "The Killers," Faulkner's "That Evening Sun Go Down," and Philip Roth's acidic spin on religious connivance, "Defender of the Faith." In other cases, major authors are represented by relatively minor works. Yet it's hard to quibble with the inclusion of Willa Cather, F. Scott Fitzgerald, Tennessee Williams, J.F. Powers, Eudora Welty--particularly when you take into account that their second-tier creations are fully the equal of anybody else's masterpieces. And the final third of the book really does constitute an honor roll of contemporary American fiction, with brilliant entries by Saul Bellow, Donald Barthelme, Raymond Carver, Tim O'Brien, Bernard Malamud, Cynthia Ozick, John Cheever, and Vladimir Nabokov. (For the latter, Updike actually succumbed to his own idolatry and bent the rules for admission--but nobody who reads the hallucinatory "That in Aleppo Once..." will regret it.) It goes without saying that fiction fans will be complaining about the editor's sins of omission well into the next century. But no matter how you slice it, this remains an elegant and essential advertisement for the short form. --James Marcus

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