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Beyond Grief: Sculpture and Wonder in the Gilded Age Cemetery

Mills, Cynthia

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ISBN 10: 1935623370 / ISBN 13: 9781935623373
Published by U.S.A.: Smithsonian Institution Scholarly Press, 2014
Used Condition: Very Good Hardcover
From Riverby Books (Fredericksburg, VA, U.S.A.)

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About this Item

Hardcover with DJ. Brown cloth over boards with gold lettering on the spine. Glossy illustrated DJ is clean and unmarked and fits snugly to the boards. The covers are clean and unmarked. Corners and head and foot of the spine are just a bit bumped. No date on the title page. Copyright date is 2014. 238 pages. The binding is strong. The pages inside are clean and unmarked. Looks scarcely read. Bookseller Inventory # 9-2163

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Bibliographic Details

Title: Beyond Grief: Sculpture and Wonder in the ...

Publisher: U.S.A.: Smithsonian Institution Scholarly Press

Publication Date: 2014

Binding: Hardcover

Book Condition:Very Good

Dust Jacket Condition: Very Good

About this title

Synopsis:

Beyond Grief explores high-style funerary sculptures and their functions during the turn of the twentieth century. Many scholars have overlooked these monuments, viewing them as mere oddities, a part of an individual artist's oeuvre, a detail of a patron's biography, or local civic cemetery history. This volume considers them in terms of their wider context and shifting use as objects of consolation, power, and multisensory mystery and wonder.

Art historian Cynthia Mills traces the stories of four families who memorialized their losses through sculpture. Henry Brooks Adams commissioned perhaps the most famous American cemetery monument of all, the Adams Memorial in Washington, D.C. The bronze figure was designed by Augustus Saint-Gaudens, who became the nation’s foremost sculptor. Another innovative bronze monument featured the Milmore brothers, who had worked together as sculptors in the Boston area. Artist Frank Duveneck composed a recumbent portrait of his wife following her early death in Paris; in Rome, the aging William Wetmore Story made an angel of grief his last work as a symbol of his sheer desolation after his wife’s death.

Through these incredible monuments Mills explores questions like: Why did new forms--many of them now produced in bronze rather than stone and placed in architectural settings--arise just at this time, and how did they mesh or clash with the sensibilities of their era? Why was there a gap between the intention of these elite patrons and artists, whose lives were often intertwined in a closed circle, and the way some public audiences received them through the filter of the mass media? Beyond Grief traces the monuments' creation, influence, and reception in the hope that they will help us to understand the larger story: how survivors used cemetery memorials as a vehicle to mourn and remember, and how their meaning changed over time.

About the Author:

Cynthia Mills was historian emeritus at the Smithsonian American Art Museum, where she served as executive editor of the scholarly journal American Art and academic programs advisor. She was co-editor of the anthology Monuments to the Lost Cause: Women, Art, and the Landscapes of Southern Memory (2004) and East-West Interchanges in American Art: A Long and Tumultuous Relationship (2012). Her essays and lectures focused on American sculpture in the late nineteenth century.

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