Signed by the artist. Bookseller Inventory # 1091393
Synopsis: Suburban Seattle, the mid-1970s. We learn from the out-set that a strange plague has descended upon the area’s teenagers, transmitted by sexual contact. The disease is manifested in any number of ways — from the hideously grotesque to the subtle (and concealable) — but once you’ve got it, that’s it. There’s no turning back.
As we inhabit the heads of several key characters — some kids who have it, some who don’t, some who are about to get it — what unfolds isn’t the expected battle to fight the plague, or bring heightened awareness to it , or even to treat it. What we become witness to instead is a fascinating and eerie portrait of the nature of high school alienation itself — the savagery, the cruelty, the relentless anxiety and ennui, the longing for escape.
And then the murders start.
As hypnotically beautiful as it is horrifying, Black Hole transcends its genre by deftly exploring a specific American cultural moment in flux and the kids who are caught in it- back when it wasn’t exactly cool to be a hippie anymore, but Bowie was still just a little too weird.
To say nothing of sprouting horns and molting your skin...
Review: The first issues of Charles Burns's comics series Black Hole began appearing in 1995, and long before it was completed a decade later, readers and fellow artists were speaking of it in tones of awe and comparing it to recent classics of the form like Chris Ware's Jimmy Corrigan and Daniel Clowes's Ghost World. Burns is the sort of meticulous, uncompromising artist whom other artists speak of with envy and reverence, and we asked Ware and Clowes to comment on their admiration for Black Hole:
|"I think I probably learned the most about clarity, composition, and efficiency from looking at Charles's pages spread out on my drawing table than from anyone's; his was always at the level of lucidity of Nancy, but with this odd, metallic tinge to it that left you feeling very unsettled, especially if you were an aspiring cartoonist, because it was clear you'd never be half as good as he was. There's an almost metaphysical intensity to his pinprick-like inkline that catches you somewhere in the back of the throat, a paper-thin blade of a fine jeweler's saw tracing the outline of these thick, clay-like human figures that somehow seem to "move," but are also inevitably oddly frozen in eternal, awkward poses ... it's an unlikely combination of feelings, and it all adds up to something unmistakably his own. |
"I must have been one of the first customers to arrive at the comic shop when I heard the first issue of Black Hole was out 10 years ago, and my excitement didn't change over the years as he completed it. I don't think I've ever read anything that better captures the details, feelings, anxieties, smells, and cringing horror of my own teenage years better than Black Hole, and I'm 15 years younger than Charles is. Black Hole is so redolently affecting one almost has to put the book down for air every once in a while. By the book's end, one ends up feeling so deeply for the main character it's all one can do not to turn the book over and start reading again." --Chris Ware
|"Charles Burns is one of the greats of modern comics. His comics are beautiful on so many levels. Somehow he has managed to capture the essential electricity of comic-book pop-art iconography, dragging it from the clutches of Fine Art back to the service of his perfect, precise-but-elusive narratives in a way that is both universal in its instant appeal and deeply personal." --Dan Clowes|
Questions for Charles Burns
Amazon.com: Cartoonists are about the only people today who are working like Dickens did: writing serials that appear piece-by-piece in public before the whole work is done. What's it like to work in public like that, and for as long as a project like this takes?
Charles Burns: There were a number of reasons for serializing Black Hole. First of all, I wanted to put out a traditional comic book-- I'd never really worked in that comic pamphlet format before and liked the idea of developing a long story in installments. There's something very satisfying to me about a comic book as an object and I enjoyed using that format to slowly build my story. Serializing the story also allowed me to focus on shorter, more manageable portions; if I had to face creating a 368-page book all in one big lump, I don't know if I’d have the perseverance and energy to pull it off.
Amazon.com: One thing that stuns me about this book is how consistent it is from start to finish. From the first frames to the last ones that you drew 10 years later, you held the same tone and style. It feels as though you had a complete vision for the book from the very beginning. Is that so? Or did things develop unexpectedly as you worked on it?
Burns: I guess there's a consistency in Black Hole because of the way I work. I write and draw very slowly, always carefully examining every little detail to make sure it all fits together the way I want it to. When I started the story, I had it all charted out as far as the basic structure goes, but what made working on it interesting was finding new ways of telling the story that hadn't occurred to me.
Amazon.com: Some of the very best of the recent graphic novels (I'm thinking of Ghost World and Blankets, along with Black Hole) have been about the lives of teenagers. Do you think there's something about the form that helps to tell those stories so well?
Burns: That's an interesting question, but I don't know the answer. Perhaps it has more to do with the authors--the kind of people who stay indoors for hours on end in total solitude working away on their heartfelt stories... maybe that kind of reflection lends itself to being able to capture the intensity of adolescence.
Amazon.com: In the time you've been working on Black Hole, graphic novels have leapt into the mainstream. (I think--I hope--we're finally seeing the last of those "They're not just for kids anymore!" reviews.) What did you imagine for this project when you started it? What's it been like to see your corner of the world enter the glare of the spotlight?
Burns: When I started Black Hole I really just wanted to tell a long, well-written story. The themes and ideas that run throughout the book had been turning around in my head for years and I wanted to finally get them all out--put them down on paper once and for all. I've published a few other books and while they sold reasonably well, they didn't set the publishing world on fire. I was pretty sure I'd have some kind of an audience for Black Hole, but that was never a motivating factor in writing the book. And my corner of the world is still pretty dark. I guess I'll be stepping into the spotlight for a little while when the book comes out, but I imagine I'll slip back into my dark little studio when it all settles down again so I can settle back into work.
Title: Black Hole
Publisher: Pantheon Books
Publication Date: 2005
Binding: Hard Cover
Book Condition: Very Good
Dust Jacket Condition: No Jacket
Signed: Signed by Author(s)
Book Description Pantheon, 2005. Hardcover. Condition: Good. Signed. Connecting readers with great books since 1972. Used books may not include companion materials, some shelf wear, may contain highlighting/notes, may not include cdrom or access codes. Customer service is our top priority!. Seller Inventory # S_222203936
Book Description Pantheon, 2005. Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Edition; First Printing. Glossy illustrated boards. Signed, without inscription, to the title page. An excellent copy, just about fine in similar dust jacket. Not price clipped. No chips, tears, creases, etc. No other markings. ; Pantheon Graphic Library; 8vo 8" - 9" tall; Signed by Author. Seller Inventory # 14558
Book Description Pantheon October 2005, 2005. Hardcover. Condition: Used - U3 - Good. First Edition. Pantheon Books, 2005. Hardcover. Stated first edition, first printing with full number sequence. Hardbound. Very fine in a very fine dust jacket, with some very light rubbing and incidental shelfwear. A tight, clean copy, new and unread. Not price clipped. Signed by the author on half-title page. Signed By Author. Seller Inventory # 5166967
Book Description Pantheon Books (New York), 2005. Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. First edition, first printing (with full number sequence including the 1). Hardbound. Very Fine in a very fine dust jacket. A tight, clean copy, new and unread. Comes with archival-quality dust jacket protector. NOT price clipped. Shipped in well padded box. SIGNED BY AUTHOR on half-title page--the author's name only, with no other marks or writing. Purchased new and opened only for author signature. NOT a tipped in copy. You cannot find a better copy. Signed by Author(s). Seller Inventory # Graphic-Novels-Ferry-01
Book Description Pantheon Books, 2005. Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. First edition, first impression of Burns stunning graphic novel, signed by the author to the title page (scarce, thus). Fine in like Fine, unclipped ($24.95 stated) dustwrapper - immaculate. Presented in a removable, archival-quality Brodart protective cover. All orders are sent very carefully wrapped in bubble wrap and sturdy cardboard. Heavy - may require additional postage for destinations outside the United Kingdom. Signed by Author(s). Seller Inventory # 361
Book Description Knopf Doubleday Publishing Group, 2005. Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition.... Superb SIGNED and UNREAD first US hardback. First Edition/1st Printing (Numberline to "1") of Charles Burns's Breakout graphic novel, 10 years in the making. This copy signed in white ink on the title page. Perfect dust jacket protected in mylar. "Suburban Seattle, the mid-1970s. We learn from the out-set that a strange plague has descended upon the area's teenagers, transmitted by sexual contact. The disease is manifested in any number of ways--from the hideously grotesque to the subtle (and concealable)--but once you've got it, that's it. There's no turning back. To say nothing of sprouting horns and molting your skin--And then the murders start." Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng. Signed by Author(s). Seller Inventory # ABE-12864928474
Book Description N.Y.: Pantheon, 2005. Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st Edition. 1st printing. Book is unread; DJ shows a touch of edgewear; looks nice in Brodart cover. Autographed by Burns on front endpaper (see photos) at a New York event. Nice copy of the author's magnum opus, uncommon signed. Signed by Author(s). Seller Inventory # 3542
Book Description Pantheon Books, New York,USA, 2005. Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. First US Edition, First Printing. This is a true first edition, first printing (first impression) with a full numberline beginning with "1" to the copyright page to indicate a true first print in a pristine Dust Jacket. Signed by Charles Burns to the title page. Signed by Author(s). Seller Inventory # 003973