Former Library book. Shows some signs of wear, and may have some markings on the inside. Bookseller Inventory #
"English literature," Yeats once noted, "has all but completely shaped itself in the printing press." Finding this true particularly of modernist writing, Jerome McGann demonstrates the extraordinary degree to which modernist styles are related to graphic and typographic design, to printed letters--"black riders" on a blank page--that create language for the eye. He sketches the relation of modernist writing to key developments in book design, beginning with the nineteenth-century renaissance of printing, and demonstrates the continued interest of postmodern writers in the "visible language" of modernism. McGann then offers a philosophical investigation into the relation of knowledge and truth to this kind of imaginative writing.
Exploring the work of writers like William Morris, Emily Dickinson, W. B. Yeats, Ezra Pound, and Gertrude Stein, as well as Laura Riding and Bob Brown, he shows how each exploits the visibilities of language, often by aligning their work with older traditions of so-called Adamic language. McGann argues that in modernist writing, philosophical nominalism emerges as a key aesthetic point of departure. Such writing thus develops a pragmatic and performative "answer to Plato" in the matter of poetry's relation to truth and philosophy.
About the Author: Jerome McGann, Commonwealth Professor of English at the University of Virginia, is well known for his unique approach to printed texts as historical and physical artifacts. His many books include A Critique of Modern Textual Criticism (Virginia).
Title: Black Riders
Publisher: Princeton University Press
Publication Date: 1993
Book Condition: Good
Book Description Princeton University Press, 1993. Hardcover. Condition: Good. No Jacket. Hardcover without jacket. Marginalia on occasional pages, light shelfwear to covers. Heavy book: priority or international shipping may require additional charges. Book. Seller Inventory # 5054961
Book Description Princeton University Press, Princeton, NJ, 1993. Hardcover. Condition: Very Good+. Very Good+ hardcover in black boards. Normal shelfwear to exterior including rubbing along edges with slight skinning to fore-edge corners. Scattered scuffing. Pages, text, and several b&w images are clean and bright. Overall an attractive copy. 196 pp. Seller Inventory # 2035861
Book Description Princeton University Press, U.S.A., 1993. Hard Cover. Condition: Very Good. No Jacket. 196 pages No dust jacket. Size: 8vo - otver 7¾" - 9¾" Tall. Seller Inventory # 605613
Book Description Princeton University Press, 1993. Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. , 550grams, ISBN:0691069859. Seller Inventory # 6731929
Book Description Princeton University Press, Princeton, NJ, 1993. Hardcover. Condition: Near Fine. First printing. First Printing. c.1993. Hardcover. Black cloth. 8vo. 196pp. Near Fine. Only the mildest wear, lacks dustjacket. Seller Inventory # C000023644
Book Description Princeton University Press, 1993. Condition: New. book. Seller Inventory # M0691069859
Book Description Princeton University Press, 1993. Hardcover. Condition: Good. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May not contain Access Codes or Supplements. May be ex-library. Shipping & Handling by region. Buy with confidence, excellent customer service!. Seller Inventory # 0691069859