Blackness and Modernism: The Literary Career of John Edgar Wideman

James W. Coleman

Published by University Press of Mississippi
ISBN 10: 1604738464 / ISBN 13: 9781604738469
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During his career as a writer-intellectual, John Edgar Wideman in his personal life has overcome feelings of alienation from the black community and has reoriented himself as a participant in black culture. In his fiction Wideman has affected a similar shift, using modernism and postmodernism to bring his intellectual characters out of their isolation and into contact with the needs, concerns, and traditions of black people. Before he could write about this shift, Wideman had to inform himself about black culture. An eight-year period of immersion in the works of nineteenth- and twentieth-century authors gave him the resources he needed. Using them he was able to circumvent modernism's dead-end, pessimistic world view and at the same time chart a new course for other, similarly estranged black intellectuals. Coleman identifies three main stages in Wideman's career: the early books (A Glance Away, Hurry Home, and The Lynchers); the Homewood trilogy (Hiding Place, Damballah, and Sent for You Yesterday); and the recent books (Brothers and Keepers and Reuben). Blackness and Modernism is the first comprehensive study of Wideman and his novels, and it shows him to be a writer emerging as a major figure in black and American literature. It shows him too as a writer whose progress has been to move away from such modernist masters as Eliot, Faulkner, and Joyce into the rich world of black culture, while retaining modernist techniques. Included also in Blackness and Modernism is Coleman's interview with Wideman, conducted in 1988.

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James W. Coleman is a professor of English at the University of North Carolina at Chapel Hill.

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Title: Blackness and Modernism: The Literary Career...
Publisher: University Press of Mississippi
Binding: Paperback
Book Condition: LIKE NEW

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Book Description University Press of Mississippi, United States, 2010. Paperback. Condition: New. Reprint. Language: English. Brand new Book. During his career as a writer-intellectual, John Edgar Wideman in his personal life has overcome feelings of alienation from the black community and has reoriented himself as a participant in black culture. In his fiction Wideman has affected a similar shift, using modernism and postmodernism to bring his intellectual characters out of their isolation and into contact with the needs, concerns, and traditions of black people. Before he could write about this shift, Wideman had to inform himself about black culture. An eight-year period of immersion in the works of nineteenth- and twentieth-century authors gave him the resources he needed. Using them he was able to circumvent modernism's dead-end, pessimistic world view and at the same time chart a new course for other, similarly estranged black intellectuals. Coleman identifies three main stages in Wideman's career: the early books (A Glance Away, Hurry Home, and The Lynchers); the Homewood trilogy (Hiding Place, Damballah, and Sent for You Yesterday); and the recent books (Brothers and Keepers and Reuben). Blackness and Modernism is the first comprehensive study of Wideman and his novels, and it shows him to be a writer emerging as a major figure in black and American literature. It shows him too as a writer whose progress has been to move away from such modernist masters as Eliot, Faulkner, and Joyce into the rich world of black culture, while retaining modernist techniques. Included also in Blackness and Modernism is Coleman's interview with Wideman, conducted in 1988. Seller Inventory # TNP9781604738469

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Book Description University Press of Mississippi 7/12/2010, 2010. Paperback or Softback. Condition: New. Blackness and Modernism: The Literary Career of John Edgar Wideman. Book. Seller Inventory # BBS-9781604738469

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Book Description University Press of Mississippi, United States, 2010. Paperback. Condition: New. Reprint. Language: English. Brand new Book. During his career as a writer-intellectual, John Edgar Wideman in his personal life has overcome feelings of alienation from the black community and has reoriented himself as a participant in black culture. In his fiction Wideman has affected a similar shift, using modernism and postmodernism to bring his intellectual characters out of their isolation and into contact with the needs, concerns, and traditions of black people. Before he could write about this shift, Wideman had to inform himself about black culture. An eight-year period of immersion in the works of nineteenth- and twentieth-century authors gave him the resources he needed. Using them he was able to circumvent modernism's dead-end, pessimistic world view and at the same time chart a new course for other, similarly estranged black intellectuals. Coleman identifies three main stages in Wideman's career: the early books (A Glance Away, Hurry Home, and The Lynchers); the Homewood trilogy (Hiding Place, Damballah, and Sent for You Yesterday); and the recent books (Brothers and Keepers and Reuben). Blackness and Modernism is the first comprehensive study of Wideman and his novels, and it shows him to be a writer emerging as a major figure in black and American literature. It shows him too as a writer whose progress has been to move away from such modernist masters as Eliot, Faulkner, and Joyce into the rich world of black culture, while retaining modernist techniques. Included also in Blackness and Modernism is Coleman's interview with Wideman, conducted in 1988. Seller Inventory # APC9781604738469

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Book Description University Press of Mississippi, United States, 2010. Paperback. Condition: New. Reprint. Language: English. Brand new Book. During his career as a writer-intellectual, John Edgar Wideman in his personal life has overcome feelings of alienation from the black community and has reoriented himself as a participant in black culture. In his fiction Wideman has affected a similar shift, using modernism and postmodernism to bring his intellectual characters out of their isolation and into contact with the needs, concerns, and traditions of black people. Before he could write about this shift, Wideman had to inform himself about black culture. An eight-year period of immersion in the works of nineteenth- and twentieth-century authors gave him the resources he needed. Using them he was able to circumvent modernism's dead-end, pessimistic world view and at the same time chart a new course for other, similarly estranged black intellectuals. Coleman identifies three main stages in Wideman's career: the early books (A Glance Away, Hurry Home, and The Lynchers); the Homewood trilogy (Hiding Place, Damballah, and Sent for You Yesterday); and the recent books (Brothers and Keepers and Reuben). Blackness and Modernism is the first comprehensive study of Wideman and his novels, and it shows him to be a writer emerging as a major figure in black and American literature. It shows him too as a writer whose progress has been to move away from such modernist masters as Eliot, Faulkner, and Joyce into the rich world of black culture, while retaining modernist techniques. Included also in Blackness and Modernism is Coleman's interview with Wideman, conducted in 1988. Seller Inventory # APC9781604738469

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Book Description University Press of Mississippi. Paperback. Condition: New. 178 pages. Dimensions: 9.0in. x 6.0in. x 0.7in.Blackness and Modernism: The Literary Career of John Edgar Wideman by James W. Coleman During his career as a writer-intellectual, John Edgar Wideman in his personal life has overcome feelings of alienation from the black community and has reoriented himself as a participant in black culture. In his fiction, as James W. Coleman, the author of this study, shows, Wideman has effected a similar shift, using modernism and post-modernism to bring his intellectual characters out of their isolation and into contact with the needs, concerns, and traditions of black people. Before he could write about this shift, Wideman had to inform himself about black culture. An eight-year period of immersion in the works of nineteenth and twentieth century authors gave him the resources he needed. Using them he was able to circumvent modernisms dead-end, pessimistic world view and at the same time chart a new course for other, similarly estranged black intellectuals. Coleman identifies three main stages in Widemans career: the early books (A Glance Away, Hurry Home, and The Lynchers); the Homewood trilogy (Hiding Place, Damballah, and Sent for You Yesterday); and the recent books (Brothers and Keepers and Reuben). Blackness and Modernism is the first comprehensive study of Wideman and his novels, and it shows him to be a writer emerging as a major figure in black and American literature. It shows him too as a writer whose progress has been to move away from such modernist masters as Eliot, Faulkner, and Joyce into the rich world of black culture, while retaining modernist techniques. Included also in Blackness and Modernism is Colemans interview with Wideman, conducted in 1988. James W. Coleman is a professor of English at the University of North Carolina at Chapel Hill. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Seller Inventory # 9781604738469

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Book Description University Press of Mississippi, 2010. Paperback. Condition: NEW. 9781604738469 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. For all enquiries, please contact Herb Tandree Philosophy Books directly - customer service is our primary goal. Seller Inventory # HTANDREE01389304

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