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Come to Me: Bloom, Amy

Come to Me

Bloom, Amy

ISBN 10: 0333604938 / ISBN 13: 9780333604939
Published by Macmillan, London, 1994
Condition: Fine Soft cover
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U.K. Paperback First. SIGNED by the author on the title page. A fine tight unused copy in pictorial wrappers. Bookseller Inventory # 2264

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Bibliographic Details

Title: Come to Me

Publisher: Macmillan, London

Publication Date: 1994

Binding: Paperback

Book Condition:Fine

Signed: Signed by Author(s)

Edition: First Edition

About this title


'This debut collection, human and humorous, is an impressive display ...Bloom is uncensorious, revelling in the predicaments she has created for her protagonists and their instinct for survival ...She has great flexibility of narrative voice, whether as a middle-aged furrier in love with a schoolgirl or a young boy who accidentally shoots his cousin with his father's gun' The Times 'Bereavement, moral breakdown and sexual non-conformity are the deep waters into which Amy Bloom plunges in her first book -- though causing scarcely a ripple in the smooth narrative surface ...Bloom's advice seems to be: whatever it takes to scrape through life, do it -- grand gesture or compromise, sex or shopping' Independent on Sunday 'Amy Bloom's debut collection is a book which beckons if it is put down unfinished, and which -- although contemporary -- provides all the engrossing satisfaction of a nineteenth-century novel' Guardian 'An impressive addition to the booming renaissance in the American short story. Bloom has all the elegant acuity of a modern day Flannery O'Connor ...Her style is astonishingly versatile: wry and acerbic one minute; generous and passionate the next' GQ 'This is truly a collection that leaves the reader in a state of grace' Sunday Times


Amy Bloom's 1993 collection, Come to Me, is filled with yearning mysteries of romantic and familial love that are far more complex than the phrase "love story" allows. The first sentence of the first story, "Love Is Not a Pie," evinces the contradictions, layers, and interconnections of her narrator's existence--and hooks the reader entirely. "In the middle of the eulogy at my mother's boring and heart-breaking funeral, I began to think about calling off the wedding." The title phrase means exactly what it says: Lila's mother didn't have a finite amount of affection and was lucky not to be forced to choose between love's accepted forms and a more unusual one: "People think that it can't be that way, but it can. You just have to find the right people." Lila realizes that she needs to get out of her engagement because she isn't ready for normality.

The unusual pervades these stories, and Bloom handles some outsized events with delicacy and humor. In "Sleepwalking," a new widow sends her stepson away after they've slept together, because she wants him to have a normal life. The author makes us aware that there's something terrible and foolhardy about this woman's decision. Several other characters find themselves in equally desperate situations, their only consolation being recollections of earlier bliss, often sensual: "It was like nothing else in my life, that river of love that I could dip into and leave and return to once more and find it still flowing." For them, memories of past happiness makes present sorrow bearable.

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