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Bookwork: Medium to Object to Concept to Art

Garrett Stewart

10 ratings by Goodreads
ISBN 10: 0226773914 / ISBN 13: 9780226773919
Published by University of Chicago Press, Chicago, 2011
Condition: Near Fine Plus Hardcover
From art longwood books (Rockport, MA, U.S.A.)

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About this Item

cloth, hard cover in dust jacket., no flaws or wear, clean, no writing or markings. no bumps, tears, labels. strong binding.; xix-249pp., 12 color plates, numerous b/w illustrations. artists using books as art material. Size: 4to - over 9¾" - 12" tall. Bookseller Inventory # 18160

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Bibliographic Details

Title: Bookwork: Medium to Object to Concept to Art

Publisher: University of Chicago Press, Chicago

Publication Date: 2011

Binding: Hard Cover

Book Condition:Near Fine Plus

Dust Jacket Condition: Near Fine Plus

Edition: First Edition /First Printing.

About this title

Synopsis:

“There they rest, inert, impertinent, in gallery space—those book forms either imitated or mutilated, replicas of reading matter or its vestiges. Strange, after its long and robust career, for the book to take early retirement in a museum, not as rare manuscript but as functionless sculpture. Readymade or constructed, such book shapes are canceled as text when deposited as gallery objects, shut off from their normal reading when not, in some yet more drastic way, dismembered or reassembled.” So begins Bookwork, which follows our passion for books to its logical extreme in artists who employ found or simulated books as a sculptural medium. Investigating the conceptual labor behind this proliferating international art practice, Garrett Stewart looks at hundreds of book-like objects, alone or as part of gallery installations, in this original account of works that force attention upon a book’s material identity and cultural resonance.

Less an inquiry into the artist’s book than an exploration of the book form’s contemporary objecthood, Stewart’s interdisciplinary approach traces the lineage of these aggressive artifacts from the 1919 Unhappy Readymade of Marcel Duchamp down to the current crisis of paper-based media in the digital era. Bookwork surveys and illustrates a stunning variety of appropriated and fabricated books alike, ranging from hacksawed discards to the giant lead folios of Anselm Kiefer. The unreadable books Stewart engages with in this timely study are found, again and again, to generate graphic metaphors for the textual experience they preclude, becoming in this sense legible after all.

About the Author:

Garrett Stewart is the James O. Freedman Professor of Letters in the Department of English at the University of Iowa and the author of numerous books on fiction and film.

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