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In the Break (Paperback)

Fred Moten

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ISBN 10: 0816641005 / ISBN 13: 9780816641000
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Paperback. In his controversial essay on white jazz musician Burton Greene, Amiri Baraka asserted that jazz was exclusively an African American art form and explicitly fused the idea of a black aesth.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 332 pages. 0.435. Bookseller Inventory # 9780816641000

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Bibliographic Details

Title: In the Break (Paperback)

Binding: Paperback

Book Condition:New

About this title

Synopsis:

In his controversial essay on white jazz musician Burton Greene, Amiri Baraka asserted that jazz was exclusively an African American art form and explicitly fused the idea of a black aesthetic with radical political traditions of the African diaspora. In the Break is an extended riff on OC The Burton Greene Affair, OCO exploring the tangled relationship between black avant-garde in music and literature in the 1950s and 1960s, the emergence of a distinct form of black cultural nationalism, and the complex engagement with and disavowal of homoeroticism that bridges the two. Fred Moten focuses in particular on the brilliant improvisatory jazz of John Coltrane, Ornette Coleman, Albert Ayler, Eric Dolphy, Charles Mingus, and others, arguing that all black performanceOCoculture, politics, sexuality, identity, and blackness itselfOCois improvisation. For Moten, improvisation provides a unique epistemological standpoint from which to investigate the provocative connections between black aesthetics and Western philosophy. He engages in a strenuous critical analysis of Western philosophy (Heidegger, Kant, Husserl, Wittgenstein, and Derrida) through the prism of radical black thought and culture. As the critical, lyrical, and disruptive performance of the human, MotenOCOs concept of blackness also brings such figures as Frederick Douglass and Karl Marx, Cecil Taylor and Samuel R. Delany, Billie Holiday and William Shakespeare into conversation with each other. Stylistically brilliant and challenging, much like the music he writes about, MotenOCOs wide-ranging discussion embraces a variety of disciplinesOCosemiotics, deconstruction, genre theory, social history, and psychoanalysisOCoto understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in MotenOCOs ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition. "

About the Author:

Fred Moten lives in Los Angeles, where he teaches English at the University of California, Riverside. He is the author of Arkansas (Pressed Wafer, 2000), In the Break: The Aesthetics of the Black Radical Tradition (University of Minnesota Press, 2003), I ran from it but was still in it. (Cusp Books, 2007), HUGHSON'S TAVERN (Leon Works, 2008), B Jenkins (Duke University Press, 2009), THE FEEL TRIO (Letter Machine Editions, 2014), and co-author with Stefano Harney of THE UNDERCOMMONS: FUGITIVE PLANNING & BLACK STUDY (Minor Compositions, 2013).

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